Montreal-based group The Franklin Electric made its mark in Quebec and elsewhere in the world, starting in 2014. The tune “This is How I Let You Down” is largely responsible for their success. The impression was given that it illustrated the genetic code of the band, namely melodic electro-folk-rock with a strong dose of Coldplay’s emoting. A bit saccharine, sometimes. Then came Blue Ceilings (2017), a very pop production with little that stood out. Finally, a very positive evolution in the band’s work was marked by the arrival of two mini-albums. First was In Your Head (August 2019), with songs less amplified and more purified. The follow-up In Your Heart is in the same vein. Singer Jon Matte’s sensual, dramatic and solemn voice – somewhere between that of Patrick Watson and Devon Portielje from Half Moon Run – is driven by smooth, rhythmic melodies that charm from the very first listen. The song “Anything For Love”, which opens the record, is particularly masterful. Bass and drums give body to the romantic anthem. Moreover, the highs and lows of the heart are (still) the creative incubators for this six-track EP. It’s beautiful, but the band never colours outside of the lines. One thing’s for sure, In Your Heart, like In Your Head, is capably crafted, the band’s best offering to date. The guys are likely to hit a lot of stages thanks to this new material, which should reach both their fans and perhaps some more reticent music lovers.
Latest 360 Content
Interview Classical/classique
Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau
By Frédéric Cardin
Album review Classical/classique 2026
Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy
By Frédéric Cardin
Album review Classical/classique 2026
Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos
By Frédéric Cardin
Concert review Experimental/Hip Hop
FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise
By Jake Friesen
Interview Experimental/Hip Hop
haha Laughing All the Way to the Bank
By Jake Friesen & Lyle Hendriks
Interview classique/Classical
The Four Seasons of Quebec: Interview with François Dompierre
By Frédéric Cardin
Interview Classical/classique
Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul
By Frédéric Cardin
Album review Classical/classique 2026
Brìghde Chaimbeul and Colin Stetson – All the light in the world
By Frédéric Cardin
Concert review Experimental/percussions/Rock
FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME
By Stephan Boissonneault
Concert review
FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque
By Stephan Boissonneault
Concert review
FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation
By Stephan Boissonneault
Concert review Rock/jangle pop/Psychedelia
FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros
By Stephan Boissonneault
Concert review Rock
FME 2026 I Iguana Death Cult Converts the Non-Believers
By Stephan Boissonneault
Interview latino/Electronic























