Montreal-based group The Franklin Electric made its mark in Quebec and elsewhere in the world, starting in 2014. The tune “This is How I Let You Down” is largely responsible for their success. The impression was given that it illustrated the genetic code of the band, namely melodic electro-folk-rock with a strong dose of Coldplay’s emoting. A bit saccharine, sometimes. Then came Blue Ceilings (2017), a very pop production with little that stood out. Finally, a very positive evolution in the band’s work was marked by the arrival of two mini-albums. First was In Your Head (August 2019), with songs less amplified and more purified. The follow-up In Your Heart is in the same vein. Singer Jon Matte’s sensual, dramatic and solemn voice – somewhere between that of Patrick Watson and Devon Portielje from Half Moon Run – is driven by smooth, rhythmic melodies that charm from the very first listen. The song “Anything For Love”, which opens the record, is particularly masterful. Bass and drums give body to the romantic anthem. Moreover, the highs and lows of the heart are (still) the creative incubators for this six-track EP. It’s beautiful, but the band never colours outside of the lines. One thing’s for sure, In Your Heart, like In Your Head, is capably crafted, the band’s best offering to date. The guys are likely to hit a lot of stages thanks to this new material, which should reach both their fans and perhaps some more reticent music lovers.
Latest 360 Content
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Folk/Americana
Suoni 2026 | Time travelling with Wendy Eisenberg
By Joséphine Campbell-Lashuk
Interview Electronic/Soul/R&B/South Asian
Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin
By Alain Brunet
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Concert review chanson française/Chanson francophone/Pop
Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview Rock/Jazz/expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Dancing on chaos with The Ex
By Michel Rondeau
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock
Francos 2026 I Zélie, jeune merveille à découvrir !
By Stephan Boissonneault
Concert review Chanson francophone
Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath
By Alain Brunet
Concert review Caribbean/Soul/R&B
Francos 2026 | Malaka, blending soul, folk, and Caribbean influences
By Sandra Gasana
Interview Classical/classique
Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer
By Frédéric Cardin
Concert review Classical/classique
Classica 2026 – Too hot and humid for Schubert, and the instruments
By Frédéric Cardin
Interview classique/jeunesse























