For their new album, the San Francisco trio chose a logical continuation of the previous double album II by titling this third effort III (and, no, the first was not entitled I). Why make things simple when you can make them even simpler! That said, this isn’t a triple album. Luckily, because with the charge they pump into our ears and bodies, these eight tracks are more than enough. With this third album in almost ten years of existence, Fuzz aren’t trying to reinvent the wheel, nor have they ever sought to do so, but rather to faithfully adhere to the hard-rock and stoner styles, applying the lessons learned from the masters of the genres, with Black Sabbath and Blue Cheer in mind. The students have done their homework well and it’s particularly evident on this fierce III. Produced by studio wizard and noise-master Steve Albini, III allows the listener virtually no respite, and demonstrates that the trio may have even surpassed their teachers. Served by the prowess of guitarist (and lead singer) Charles Moothart, whose instrument also serves as a meat grinder, Chad Ubovich’s indispensable heavy, groovy bass, and the crazy and always solid drumming of the prolific Ty Segall, the eight tracks that Fuzz play here don’t sink (too much) into cliché (but the band doesn’t care about that), and fortunately, don’t drag on unnecessarily, half of them not exceeding the 3 minutes and 30 minutes required by law.
Latest 360 Content
Concert review Jazz
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
By Frédéric Cardin
Concert review Jazz
FIJM 2026 / Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!
By Varun Swarup
Interview Jazz
FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone
By Frédéric Cardin
Concert review Caribbean/Soul/R&B
FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest
By Vitta Morales
Concert review Hip Hop
FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master
By Stephan Boissonneault
Interview Jazz
FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant
By Harry Skinner
Interview Classical/classique
Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night
By Frédéric Cardin
Album review Electronic/Experimental / Contemporary/expérimental / contemporain 2026
Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)
By Stephan Boissonneault
Concert review Pop/Rock/Classical/classique/pop symphonique
FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy
By Alain Brunet
Concert review Jazz
FIJM 2026 I Hiromi Uehara: A Musical Journey Full of (Sonic) Wonder
By Harry Skinner
Interview Jazz
FIJM 2026 | Rémi Cormier takes us up in his own Ascenseur pour l’échafaud
By Frédéric Cardin
Interview Caribbean/Africa/Soul/R&B






















