For their new album, the San Francisco trio chose a logical continuation of the previous double album II by titling this third effort III (and, no, the first was not entitled I). Why make things simple when you can make them even simpler! That said, this isn’t a triple album. Luckily, because with the charge they pump into our ears and bodies, these eight tracks are more than enough. With this third album in almost ten years of existence, Fuzz aren’t trying to reinvent the wheel, nor have they ever sought to do so, but rather to faithfully adhere to the hard-rock and stoner styles, applying the lessons learned from the masters of the genres, with Black Sabbath and Blue Cheer in mind. The students have done their homework well and it’s particularly evident on this fierce III. Produced by studio wizard and noise-master Steve Albini, III allows the listener virtually no respite, and demonstrates that the trio may have even surpassed their teachers. Served by the prowess of guitarist (and lead singer) Charles Moothart, whose instrument also serves as a meat grinder, Chad Ubovich’s indispensable heavy, groovy bass, and the crazy and always solid drumming of the prolific Ty Segall, the eight tracks that Fuzz play here don’t sink (too much) into cliché (but the band doesn’t care about that), and fortunately, don’t drag on unnecessarily, half of them not exceeding the 3 minutes and 30 minutes required by law.
Latest 360 Content
Interview classique/période moderne/Classical
Pro Musica / Mélodînes | Piano four hands delight with La Fiammata
By Alain Brunet
Album review Chanson francophone/Americana/Folk 2026
Geneviève Bilodeau – Rendre Grâce
By Frédéric Cardin
Concert review Classical/classique/Electronic/expérimental / contemporain
UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard
By Jeremy Fortin
Concert review Classical/classique/Electronic
UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown
By Jeremy Fortin
Concert review musique du monde
Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or
By Frédéric Cardin
Interview
Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers
By Alain Brunet
Album review Rock/Pop/Progressive Folk 2026
My New Band Believe – My New Band Believe
By Stephan Boissonneault
Interview Experimental/expérimental / contemporain
Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma
By Alain Brunet
Album review expérimental / contemporain/Experimental / Contemporary/Rock 2026























