For their new album, the San Francisco trio chose a logical continuation of the previous double album II by titling this third effort III (and, no, the first was not entitled I). Why make things simple when you can make them even simpler! That said, this isn’t a triple album. Luckily, because with the charge they pump into our ears and bodies, these eight tracks are more than enough. With this third album in almost ten years of existence, Fuzz aren’t trying to reinvent the wheel, nor have they ever sought to do so, but rather to faithfully adhere to the hard-rock and stoner styles, applying the lessons learned from the masters of the genres, with Black Sabbath and Blue Cheer in mind. The students have done their homework well and it’s particularly evident on this fierce III. Produced by studio wizard and noise-master Steve Albini, III allows the listener virtually no respite, and demonstrates that the trio may have even surpassed their teachers. Served by the prowess of guitarist (and lead singer) Charles Moothart, whose instrument also serves as a meat grinder, Chad Ubovich’s indispensable heavy, groovy bass, and the crazy and always solid drumming of the prolific Ty Segall, the eight tracks that Fuzz play here don’t sink (too much) into cliché (but the band doesn’t care about that), and fortunately, don’t drag on unnecessarily, half of them not exceeding the 3 minutes and 30 minutes required by law.
Latest 360 Content
Interview DJ set/Electronic/expérimental / contemporain/Experimental / Contemporary/Soul/R&B/Jazz
MUTEK 2026 | Herbert in Three Shows: The Activist, Composer and Producer Is Finally Back
By Alain Brunet
Concert review Rock
Vans Warped Tour Montreal: Big Ass Truck I. E. Whips Ghost Stage into A Frenzy
By Jake Friesen
Concert review Pop/Rock
Vans Warped Tour Montreal: 3OH!3 is Still Raunchy and Full of Bangers
By Jake Friesen
Concert review Rock
Vans Warped Tour Montreal: Joyce Manor — Wide Awake at the End of the Summer
By Lyle Hendriks
Concert review Rock
Vans Warped Tour Montreal: Concrete Vehicles is Pure Stage Violence
By Stephan Boissonneault
Concert review Rock
Vans Warped Tour Montreal: Bearings Brought Pop Punk Bliss to Ghost Stage
By Stephan Boissonneault
Album review classique 2026
Isabella d’Éloize Perron, Francis Choinière et l’Orchestre FILMharmonique – François Dompierre : Les quatre saisons du Québec
By Frédéric Cardin
Concert review Rock/Pop
Vans Warped Tour Montreal: Bowling For Soup is the Greatest Band of All Time
By Stephan Boissonneault
Interview Electronic/expérimental / contemporain/exposition
MUTEK 2026 : What Does a Laser Sound Like in the Super Galaxy Meow Meow ?
By Ariel Rutherford
Album review Classical/classique/expérimental / contemporain 2026
Olivier Alary – Vestiges
By Frédéric Cardin
Album review Jazz 2026
Domas Žeromskas – Meditations on Providence and Perseverance, Vol. 2
By Frédéric Cardin
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Rock
MUTEK 2026 | Finding the Flow With Fennesz
By Alain Brunet
Interview Classical/classique/Romantic
Domaine Forget 2026 | Mathieu Lussier and the discovery of French music
By Pietro Freiburger
Album review Classical/classique 2026























