For their new album, the San Francisco trio chose a logical continuation of the previous double album II by titling this third effort III (and, no, the first was not entitled I). Why make things simple when you can make them even simpler! That said, this isn’t a triple album. Luckily, because with the charge they pump into our ears and bodies, these eight tracks are more than enough. With this third album in almost ten years of existence, Fuzz aren’t trying to reinvent the wheel, nor have they ever sought to do so, but rather to faithfully adhere to the hard-rock and stoner styles, applying the lessons learned from the masters of the genres, with Black Sabbath and Blue Cheer in mind. The students have done their homework well and it’s particularly evident on this fierce III. Produced by studio wizard and noise-master Steve Albini, III allows the listener virtually no respite, and demonstrates that the trio may have even surpassed their teachers. Served by the prowess of guitarist (and lead singer) Charles Moothart, whose instrument also serves as a meat grinder, Chad Ubovich’s indispensable heavy, groovy bass, and the crazy and always solid drumming of the prolific Ty Segall, the eight tracks that Fuzz play here don’t sink (too much) into cliché (but the band doesn’t care about that), and fortunately, don’t drag on unnecessarily, half of them not exceeding the 3 minutes and 30 minutes required by law.
Latest 360 Content
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock
Francos 2026 I Zélie, jeune merveille à découvrir !
By Stephan Boissonneault
Concert review Chanson francophone
Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath
By Alain Brunet
Concert review Caribbean/Soul/R&B
Francos 2026 | Malaka, blending soul, folk, and Caribbean influences
By Sandra Gasana
Interview Classical/classique
Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer
By Frédéric Cardin
Concert review Classical/classique
Classica 2026 – Too hot and humid for Schubert, and the instruments
By Frédéric Cardin
Interview classique/jeunesse
Jeunesses Musicales Canada 2026-2027: Mission, Music for Everyone
By Frédéric Cardin
Album review Classical/classique 2026
Quatuor Voxpopuli – Novák, Schulhoff, Liatochynskyï
By Frédéric Cardin
Interview Jazz
Montreal Chamber Music Festival 2026 | Jens Lindemann, former Canadian Brass, is going Big for Sinatra, Ellington and Gershwin with Montreal Band
By Frédéric Cardin
Interview classique/Jazz























