For their new album, the San Francisco trio chose a logical continuation of the previous double album II by titling this third effort III (and, no, the first was not entitled I). Why make things simple when you can make them even simpler! That said, this isn’t a triple album. Luckily, because with the charge they pump into our ears and bodies, these eight tracks are more than enough. With this third album in almost ten years of existence, Fuzz aren’t trying to reinvent the wheel, nor have they ever sought to do so, but rather to faithfully adhere to the hard-rock and stoner styles, applying the lessons learned from the masters of the genres, with Black Sabbath and Blue Cheer in mind. The students have done their homework well and it’s particularly evident on this fierce III. Produced by studio wizard and noise-master Steve Albini, III allows the listener virtually no respite, and demonstrates that the trio may have even surpassed their teachers. Served by the prowess of guitarist (and lead singer) Charles Moothart, whose instrument also serves as a meat grinder, Chad Ubovich’s indispensable heavy, groovy bass, and the crazy and always solid drumming of the prolific Ty Segall, the eight tracks that Fuzz play here don’t sink (too much) into cliché (but the band doesn’t care about that), and fortunately, don’t drag on unnecessarily, half of them not exceeding the 3 minutes and 30 minutes required by law.
Latest 360 Content
Interview latino/Electronic
FME 2026 | RIZOMAGIC de Bogotá, futurisme tropical et accordage cosmique
By Alain Brunet
Concert review Soul/R&B/Jazz/Rock
FME 2026 I Choses Sauvages: Where the Wild Things Are
By Lyle Hendriks
Concert review expérimental / contemporain/Experimental / Contemporary/Pop
FME 2026 I Camilla Sparksss Brings the Noise
By Stephan Boissonneault
Album review Classical/classique 2026
Jackie Leung – Inside Out : Piano Music by Alvin Singleton
By Frédéric Cardin
Interview Rock/dark-rave
FME 2026: Philippe Larocque’s Top Five Acts To See This Year
By Stephan Boissonneault
Interview Americana/Reggae/Rock
Souk du Sud 2026 | Paul Cargnello: Two Decades of Music and Social Engagement
By Keithy Antoine
Interview Caribbean/Indigenous peoples/Jazz
Souk du Sud 2026 | Nicolas Lossen: Jazz, Memory, and Heritage in Dialogue
By Keithy Antoine
Interview Americana
Souk du Sud 2026 | Emmanuelle Boucher: From “La Voix” to Her Own Path
By Keithy Antoine
Interview
Souk du Sud 2026 | Borduas: From the Stage to Behind the Scenes of Culture
By Keithy Antoine
Album review Classical/classique/Americana/Traditional 2026
Stranger Still – We Might Not Tell Everybody This
By Frédéric Cardin
Interview Africa/latino/Musiques du Monde
Souk du Sud 2026 | A Crossroads of Cultures, According to Patrice Agbokou
By Sandra Gasana
Album review Classical/classique 2026
Cheryl Duvall – Linda Catlin Smith : The Complete Piano Solos (1989-2023), Volume II: The Underfolding & Early Works
By Frédéric Cardin
Concert review dark wave/Electronic/musique de film/musique de jeux vidéo























