With lightness and precision, Montreal band TOPS presents their fourth album, I Feel Alive, with a cover featuring the face of Jane Penny, whose aerial voice is recognizable right from the first track, “Direct Sunlight”. Also featured on the album is guitarist David Carriere, with whom Penny wrote the lyrics and produced the album, along with keyboardist Marta Cikojevic and Californian drummer Riley Fleck. While the arrangements and timbres of “Direct Sunlight” are reminiscent of those of indie rock band Metronomy, the rest of the album has more ’70s and ’80s influences, with a burst of arpeggiated synthesizers and more modern sounds. “I Feel Alive” is a polished production that’s more structured in its form than the previous ones, but keeps its catchy melodies and patterns. Over the course of their albums, the Montreal-based band has built a reputation on the international indie pop scene thanks to a sound that fuses indie rock, disco and soft rock, but above all thanks to the integration of contrasts in the form that instills a more spontaneous character, as we discovered in Picture You Staring (2014) and Tender Opposites (2012).
Latest 360 Content
Interview Classical/classique
Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation
By Alain Brunet
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music
By Alexandre Villemaire
Interview expérimental / contemporain
5ilience | Devinim, When Sounds Move Through The Reeds
By Jeremy Fortin
Interview Africa/Caribbean
Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms
By Sandra Gasana
Concert review musique de film
The magic of Miyazaki comes to life with the FILMharmonic Orchestra
By Frédéric Cardin
Interview Classical/classique
Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era
By Alain Brunet
Column
Airat Ichmouratov will compose Alice in Wonderland for Montreal’s Grands Ballets canadiens
By Frédéric Cardin
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
By Jeremy Fortin
Album review Electronic/Pop/Classical/classique/Jazz 2026
The Setting – The Setting
By Stephan Boissonneault
Concert review Pop/musique de film/pop symphonique
Symphonic Tribute to Daft Punk: Effective Fusion, Mostly
By Frédéric Cardin
Interview Blues/Americana/classic rock/Rock/southern rock/southern soul
The Sheepdogs, or How to Become a Classic “Outside the Storm”
By Alain Brunet
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules
By Frédéric Cardin
Concert review Classical/classique
Arion Baroque Orchestra: Il pianto di Maria: Tears of Joy
By Alexandre Villemaire
Concert review Experimental/jeunesse
Semaine du Neuf | Sound understanding for children under 3 years… and us
By Vitta Morales
Concert review expérimental / contemporain/Indigenous peoples























