Thanks to her first five projects, running from 2013 to 2019, Charli XCX has consolidated her place at the forefront of pop avant-gardism. Eternally unsatisfied and workaholic, she now reveals how i’m feeling now, an opus produced in one month, in the midst of a global pandemic. Supported by producers emeriti A.G. Cook and BJ Burton, the English artist continues to push the limits of pop by incorporating electronic, techno, and industrial variations. The album’s central themes can be summed up in its title: a contemporary and introspective vision of the singer’s life, which takes no detours in depicting her relationship and the fluctuations in her mental health. While how i’m feeling now opens and closes with hymns to nightlife and partying, everything in between reveals Charli’s unconditional love for her boyfriend. Long united by a long-distance relationship, they are now exposed to each other’s fragility as they share the same roof during the time of confinement. She bears witness to this in the haunting “detonate” and “forever”, in which she displays a disconcerting lucidity about her emotional insecurity. If most artists suffer in the present context, Charli XCX has distinguished herself – once again – by transforming the winds of collective instability into a prodigious creative flow. Repeatedly listening to this experimental but accessible project leads to one conclusion: this is an album in full symbiosis with its rera, one that could not be more current in these dystopian times.
Latest 360 Content
Concert review expérimental / contemporain/Jazz
FIJM | Fievel is Glauque For Dessert… Dessert loaded!
By Alain Brunet
Interview Soul/R&B/Jazz
FIJM | Alexis Lombre and the Holy Spirit in the South Side of Chicago
By Alain Brunet
Concert review Americana
FIJM | Allison Russel’s Apotheosis Concert in Her Hometown
By Michel Labrecque
Concert review
FIJM I Best Dressed, Most Possessed: Fantastic Negrito Stupefies Rogers Stage
By Stephan Boissonneault
Interview Africa/Hip Hop/Jazz/Soul/R&B
Nuits d’Afrique | Immersion In The World of Stogie T
By Michel Labrecque
Concert review Jazz
FIJM | Anomalie and Lettieri: A New Musical Friendship, Developing in Real Time
By Harry Skinner
Concert review Jazz
FIJM | Linda May Han Oh, A Role Model for Female Double-Bass Players
By Alain Brunet
Interview latino/Rock
Nuits d’Afrique | La Chiva Gantiva As Seen by Rafael Espinel
By Michel Labrecque
Concert review Soul/R&B/Hip Hop/Jazz
FIJM | Thundercat, A Feline on The Loose
By Jacob Langlois-Pelletier
Concert review Africa
FIJM | Queen of Afrobeats, Ayra confirms her status as a Global… Starr
By Sandra Gasana
Interview Classical/classique
Festival de Lanaudière | Leonardo Garcia Alarcon/Monteverdi’s Coronation of Poppea: being marketwise
By Frédéric Cardin
Interview Africa/Mandingo Blues
Nuits d’Afrique 2025 | Tyrane Mondeny Presents Her Mandingo Soul
By Sandra Gasana
Concert review Folk/Americana/Jazz/Soul/R&B