The three-act opera Agrippina HWV 6, composed by Georg Friedrich Handel, is certainly one of the composer’s first great Italian operas, if not his first masterpiece. Inspired by Greek tragedy and benefitting from a lively and animated style, it’s superbly performed by the ensemble Il Pomo d’Oro, which specializes in historical Baroque interpretation. Joyce DiDonato interprets her role as Agrippina with ease, but the success of this recording also owes much to the performances of singers Franco Fagioli, Luca Pisaroni, Elsa Benoit and Jakub Józef Orlinski. Quebecer Marie-Nicole Lemieux, who plays the role of Giunone, also deserves a special mention. The cast collectively helps to convey the passion and power that emanates from this opera.
Latest 360 Content
Concert review Rock/Experimental
FIJM 2026: Yoo II Avec Nolan Potter Brings Krautrock Madness to JazzFest
By Stephan Boissonneault
Concert review expérimental / contemporain/Traditional
FIJM 2026 I Tanya Tagaq Summons the Spirits
By Stephan Boissonneault
Interview Jazz
FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet
By Alain Brunet
Concert review Jazz
FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop
By Harry Skinner
Concert review Jazz
FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz
By Michel Labrecque
Concert review Jazz
FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs
By Frédéric Cardin
Interview Jazz/Moyen-Orient / Levant / Maghreb
FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!
By Alain Brunet
Interview Jazz
FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival
By Michel Labrecque
Concert review Jazz
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
By Frédéric Cardin
Concert review Jazz
FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?
By Alain Brunet
Concert review Jazz






















