Country : France Label : Roche Musique Genres and styles : Electro-Jazz / Lo-Fi / Neo-Soul / Soul Jazz / Soul/R&B Year : 2022

FKJ – V I N C E N T

· by Lyle Hendriks

After five long years, Parisian genre-defying artist, Vincent Fenton, known as French Kiwi Juice (FKJ) is finally back with a second LP: V I N C E N T. As expected, FKJ more than delivers on his now-signature style: lo-fi, neo-soul, with a touch of house and a splash of jazz—a sound brought into focus by his 2019 self-titled album. But rather than being confined by this aesthetic, FKJ has transcended it with V I N C E N T, once again redefining the genre(s). 

FKJ’s latest is a rich and vibrant project, with deep and complex arrangements blending seamlessly into irresistible musical tapestries. Every piece feels like it was placed lovingly and with the utmost thought, and yet V I N C E N T never becomes too complicated for its own good. 

Similar to his prior work, this album has the talent of being just as excellent in the background as it is in a focused listening session. The songs transition smoothly into each other, and at times, feel like songs in two or more parts. It’s hard not to be taken on a sonic journey when listening to V I N C E N T, and it’s all by design.

FKJ also experiments with elements of rock here, smoothly blending wet, blues-rock guitar riffs with countless layers of digital arrangements. This is done to great effect on “The Mission” and “Greener (ft. Santana),” which feature inspired, vocal guitar solos shining brilliantly on sparse mixes. Other features include Toro y Moi, Little Dragon, and ((( O ))), all of which are excellent. 

Unlike FKJ’s self-titled album, V I N C E N T does away with the dated trappings of the 2010s-era lo-fi sound that he helped define, like grainy filters and crackle effects. This is a welcomed change and helps the outstanding production stand out and feel current. In general, FKJ brings his distinctive style into the modern age with V I N C E N T, and it’s a beautiful thing to behold.

Latest 360 Content

FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet

FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet

FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop

FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop

FIJM 2026 | Domi & JD Beck: vibe, energy, musicianship

FIJM 2026 | Domi & JD Beck: vibe, energy, musicianship

FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz

FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz

FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs

FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs

FIJM 2026 | A Kind of Blue moment

FIJM 2026 | A Kind of Blue moment

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Music for a Crowded Elevator 

FIJM 2026 | Music for a Crowded Elevator 

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 I “Modes of Coltrane” in the Rain

FIJM 2026 I “Modes of Coltrane” in the Rain

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Day 9 | Modibo Keita’s Picks

FIJM 2026 | Day 9 | Modibo Keita’s Picks

FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood

FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood

FIJM 2026 | BEATrio: A Deluge of Warm Notes

FIJM 2026 | BEATrio: A Deluge of Warm Notes

FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?

FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?

FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 | Elena Pinderhughes, a fine debut

FIJM 2026 | Elena Pinderhughes, a fine debut

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers