Time elapses between Sopico’s releases, but as Oxmo Puccino recently said, breaking away from the music industry’s demand to release an album every six months can only be good. Mojo (2016) and YË (2018) have kept their promises of quality. The new EP Episode 0 is much lighter, if not minimalist. One could almost imagine a sentence by lining up the titles – “D’où je viens”, “Décoder”, “Sans titre”, “Loin”, “Thème” (Where I come from, Decode, Untitled, Far, Theme) – and then say, “Nothing to add, nothing to declare”. This quarantine release confirms the strength of the new wave of young Belgian and French rappers reclaiming French songcraft. The music is not hip hop, but rock. The track “Atterrir” gives Strokes-style sounds a fast and unexpected take-off, after an intro on a slow guitar background. Moving along, we find a zouk number, yes, but subtle, with a “Purple Rain”-style beginning. Not to mention the sublime end of “Thème” with its saxophone. This fusion of genres and its diffuse and scattered lyrics make this seemingly light album a little nugget. As far as French chanson is concerned, there’s no doubt about it, this new generation is reinventing it with a flow carried sometimes by the notes, sometimes by the cadence of the lyrics. Sofiane, his real name, brings poetry to his rhymes, and represents the next generation of French rap. He is also very photogenic on Colors Show, and on guitar in the very recent series The Eddy by the excellent director of the film Whiplash. A mix of genres and arts, whether you’re the most bourgeois or broke-ass, beauty is everywhere.
Latest 360 Content
Concert review Jazz
FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop
By Harry Skinner
Concert review Jazz
FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz
By Michel Labrecque
Concert review Jazz
FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs
By Frédéric Cardin
Interview Jazz/Moyen-Orient / Levant / Maghreb
FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!
By Alain Brunet
Interview Jazz
FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival
By Michel Labrecque
Concert review Jazz
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
By Frédéric Cardin
Concert review Jazz
FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?
By Alain Brunet
Concert review Jazz
FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!
By Varun Swarup
Interview Jazz
FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone
By Frédéric Cardin
Concert review Caribbean/Soul/R&B
FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest
By Vitta Morales
Concert review Hip Hop
FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master
By Stephan Boissonneault
Interview Jazz





















