A decade ago, Colombia’s Bomba Estéreo were at the crest of the exciting digital cumbia insurgency, universally admired throughout a scene that reached from Mexico to Argentina and beyond. By 2012, they found themselves chafing at the confines of the sound, and a bit older to boot. Their first album in four years was, if not elegant (as the title might imply), certainly more mature, wide-ranging, spacious as needed and melodically rich. Never too respectable, thankfully – firecracker frontwoman Li Saumet still has bite, and guitarist Julián Salazar’s miasmic space-rock inclinations remain in the band’s orbit. Special bonus: “Mozo”, a sinister cumbia/kuduro clash with Portugal’s Buraka Som Sistema.
Latest 360 Content
Interview Classical/classique
Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story
By Marilyn Bouchard
Concert review Classical/classique
“Hiroshima, mon amour”: An Evening to Remember
By Marilyn Bouchard
Concert review Électro/euro-disco
Art of the Line: Klangkarussell’s Euro Vision at SAT
By Loic Minty
Dossier
Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial
By Stephan Boissonneault
Album review classique/Sacred Music/Latino/Classical/Pop 2025
Lido Pimienta – La Belleza
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Rock/psych 2025
Grails – Miracle Music
By Stephan Boissonneault
Album review Electronic/Indigenous peoples 2025
The Halluci Nation – Path of the Baby Face
By Stephan Boissonneault
Interview Classical/classique
A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season
By Frédéric Cardin
Concert review classique/Classical/Traditional
The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time
By Judith Hamel
Concert review Classical/classique
Reaching for the sky: Francis Choinière’s challenge to end his OPCM’s 10th season
By Frédéric Cardin
Album review art rock/Pop/Rock/électro-indie/Electronic 2025
Stereolab – Instant Holograms On Metal Film
By Stephan Boissonneault
Interview expérimental / contemporain/Classical/classique
SMCQ | In memoriam Jocelyn Morlock
By Alain Brunet
Album review Classical/classique 2025