An academic and scholar of Japanese culture and faith, and moreover deeply dedicated to the exploration of Zen Buddhism, MUTEK-circuit regular Nagaya has found the answers, or perhaps more accurately, the right questions to ask. The chiming bells and bowls frequent to Asian sacred music are the key sound source here, most pronounced on Tibetan Philosopher and The Book of Sunken Memory, their lingering tones carrying above the brumous synth haze and intermittent moments of melody and vocal snatches. Patient in their unfolding, the tracks nevertheless proceed with purpose, transcending the mushy superficiality commonly afflicting ambient music, and generating something truly profound, an aural cartography of the search for self-awareness suggested in the title.
Latest 360 Content
Album review classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
By Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
By Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
By Elena Mandolini
Interview classique/Jazz/Classical
OSL | Naomi Woo | Musique du Nouveau Monde
By Alexandre Villemaire
Album review classique/Jazz 2024
Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio
By Frédéric Cardin
Album review Classical/classique 2024
David Jalbert – Prokofiev : Piano Sonatas vol. II
By Frédéric Cardin
Interview Rock/Electronic/Pop/Jazz
Hawa B or not Hawa B ? “sadder but better” EP answers the question !
By Alain Brunet
Concert review classique/Classical/Africa
Abel Selaocoe: the wind that blows away
By Frédéric Cardin
Album review Rock 2024