The formula of the Nottingham duo is simple: a series of binary beats and primal bass lines coming out of a crazed laptop, and a singer/ranter who spits out his anger and cynicism in a volley of swearing and cockney slang. His litanies are often wild and brutal, but sometimes funny and always straight to the point. Sleaford Mods have a deliberately lo-fi and minimal sound, a vindictive attitude and an urgency that has been their trademark since they began recording in 2007. Divide and Exit marks a culmination in the duo’s career and the beginning of their true public recognition.
Latest 360 Content
Interview Musiques du Monde
Intimate concerts to delve into music and emotions at the Centre des musiciens du monde
By Frédéric Cardin
Interview Africa/Hip Hop/latino
KingAlexBeats, From Laval to Miami, From Local Culture to Shakira and Pitbull
By Alain Brunet
Album review Classical/classique/expérimental / contemporain/Métal/Modern music 2024
Ensemble Tikoro – Hell Chamber
By Laurent Bellemare
Album review Rock/death metal progressif/Metal 2024
Mitochondrion – Vitriseptome
By Laurent Bellemare
Interview Africa/Musiques du Monde
Nuits d’Afrique / Omar Sosa & Seckou Keita SUBA Trio
By Varun Swarup
Interview expérimental / contemporain
Montréal / Nouvelles Musiques: Eve Egoyan, Piano and Immersion
By Alain Brunet
Interview expérimental / contemporain/Musique de création
MNM / Dynamite Barrel, New European Ensemble and A Creation by Francis Battah
By Alain Brunet
Album review expérimental / contemporain 2024
Top Albums of 2024: Scott Thomson, Festival International de Musique Actuelle de Victoriaville
By Rédaction PAN M 360
Album review Classical/classique 2024
Top Albums of 2024: Mathieu Lussier, Arion Orchestre Baroque et Domaine Forget
By Rédaction PAN M 360
Album review 2024
Top Albums of 2024 / Renaud Loranger, Festival de Lanaudière
By Rédaction PAN M 360
Album review 2024
Top Albums of 2024, Philippe Larocque, Mothland, Taverne Tour, FME, Distorsion
By Rédaction PAN M 360
Album review 2024