Benoît Pinette, alias Tire le coyote, is the best representative of French-language musical Americana in Quebec, including its constituent styles — folk, country, and rock, in this case. Without complacency, in all sincerity, poetically, the countertenor fully addresses the fragility of the highest sentiments that unite humans in intimacy. From several thoughtful and generous literary angles, Pinette also reflects on the need to take care of our relationships, in order to make them last… which is obviously never a guarantee, as we know.
Latest 360 Content
Interview Classical/classique
Akousma | 23rd Edition Presented by Its Artistic Director
By Alain Brunet
Concert review Classical/classique
Les Violons du Roy | Emotions and Pleasure with a Sharp Voice for Bach
By Alexandre Villemaire
Concert review Classical/classique
Ensemble Caprice | JSB, Humor, Relevance, Real and Fake Intruder…
By Alexis Desrosiers-Michaud
Album review classique/Musiques du Monde 2024
Amir Amiri Ensemble – Ajdad Ancestors : Echoes of Persia
By Frédéric Cardin
Concert review Classical/classique
FLUX | Architek Percussion: Great music, cursed technology!
By Frédéric Cardin
Interview Classical/classique
Arion Orchestre Baroque and SMAM Perform Music From England’s Royal Fastes
By Alain Brunet
Concert review Electronic/expérimental / contemporain
FLUX | Phew, Masterful Performance
By Alain Brunet
Interview classique/Classical
Louise Bessette in New England… with Ives and MacDowell
By Marianne Collette
Album review Classical/classique 2024
London Symphony Orchestra – Elijah
By Alexis Desrosiers-Michaud
Concert review Rock/Soul/R&B
Yard Act is a needed jolt of energy at 100% endurance
By Stephan Boissonneault
What to watch expérimental / contemporain/Rock/Experimental / Contemporary
Yoo Doo Right – Eager Glacier
By Stephan Boissonneault
Album review alt-rock/Chanson francophone/Americana 2024
David Bujold – Le sol ou le ciel
By Michel Labrecque
Concert review Classical/classique
Jordi Savall | Tears flow, fire consumes, souls are fed
By Martial Jean-Baptiste
Concert review expérimental / contemporain