Do you know the story of Cassandra? A character from Greek mythology with a tragic destiny (like most of her peers), she received the gift of prophecy from Apollo. Offended that she had rejected his love, he decreed that her predictions would never be taken seriously, even when she announced the fall of Troy. For centuries, the story of the daughter of the king of the mythical city has fascinated poets, painters, filmmakers, and composers. Mole Machine offers a contemporary interpretation of the story, which finds its strength in music and images. A video editor by profession, Jérémy Alcaraz directed a video, bursting with textures and colours, for “Dancing on a Tipping Point”, which features a dancer. Could it be the reincarnation of the Trojan princess? The background/form approach of the video echoes the attention paid to the musical material. The intertextuality between the narration (found on the Bandcamp page of the album), the music, and the visual representation gives rise to a dark and surreal universe. Alongside the heroine, we experience incomprehension, oppression, suffering, and then liberation. The six tracks navigate between IDM and electronica – “An Overcrowded Anger“ even gives us a glimpse of progressive rock inspirations – and we move, we let ourselves be carried away, we let ourselves be told a story.
Latest 360 Content
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
By Michel Rondeau
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
By Michel Rondeau
Interview Electronic/expérimental / contemporain
Akousma | Exzald S, la violence du calme
By Alain Brunet
Concert review Caribbean
Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal
By Juliana Cortes
Interview arts numériques/Classical/classique/Électronique
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
By Alexandre Villemaire
Interview arts numériques/Classical/classique/Électronique
Akousma | Alex Brisson et l’exploration musicale du feedback
By Alexandre Villemaire
Concert review Classical/classique
Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music
By Frédéric Cardin
Concert review Classical/classique
Arion: Cinderella has fun and unleashes her magic
By Frédéric Cardin
Interview Caribbean/Piano
Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy
By Sandra Gasana
Concert review Classical/classique
Azrieli Prize 2026: The Four Pillars of the Temple
By Frédéric Cardin
Interview Classical/classique
Ensemble Caprice at the 9th: Dialogue with Carnatic India
By Frédéric Cardin
Interview Classical/classique
A resurrected and vocally spectacular Cinderella at Bourgie Hall
By Frédéric Cardin
Interview Caribbean























