With this fourth album, Abd Al Malik entered the new decade by skillfully moving away from slam, but not too far from it. With the help of Gonzales handling production, the Strasbourg MC coats his poetry with textures of electro pop, hip-hop and even ska, often in support of heady melodies. The recipe is perfectly mastered, an exercise in style that remains relevant 10 years after its release.
Latest 360 Content
Concert review Jazz
FIJM | Anomalie and Lettieri: A New Musical Friendship, Developing in Real Time
By Harry Skinner
Concert review Jazz
FIJM | Linda May Han Oh, A Role Model for Female Double-Bass Players
By Alain Brunet
Interview latino/Rock
Nuits d’Afrique | La Chiva Gantiva As Seen by Rafael Espinel
By Michel Labrecque
Concert review Soul/R&B/Hip Hop/Jazz
FIJM | Thundercat, A Feline on The Loose
By Jacob Langlois-Pelletier
Concert review Africa
FIJM | Queen of Afrobeats, Ayra confirms her status as a Global… Starr
By Sandra Gasana
Interview Classical/classique
Festival de Lanaudière | Leonardo Garcia Alarcon/Monteverdi’s Coronation of Poppea: being marketwise
By Frédéric Cardin
Interview Africa/Mandingo Blues
Nuits d’Afrique 2025 | Tyrane Mondeny Presents Her Mandingo Soul
By Sandra Gasana
Concert review Folk/Americana/Jazz/Soul/R&B
FIJM | Nai Palm? Creature of Exception! Hawa B? Future Star!
By Alain Brunet
Concert review classique/Jazz/Traditional
FIJM 2025 | Symphonic Avishai Cohen: Bewitching magic
By Frédéric Cardin
Concert review