With this fourth album, Abd Al Malik entered the new decade by skillfully moving away from slam, but not too far from it. With the help of Gonzales handling production, the Strasbourg MC coats his poetry with textures of electro pop, hip-hop and even ska, often in support of heady melodies. The recipe is perfectly mastered, an exercise in style that remains relevant 10 years after its release.
Latest 360 Content
Concert review Electronic
Piknic Electronik | DJ Fuckoff Turns Up The Heat for Pep Rally
By Rédaction PAN M 360
Interview Classical/classique
Orford 2025 | Collectif9: folk that innovates and grooves
By Frédéric Cardin
Concert review Africa
Nuits d’Afrique 2025 | The next global star of Tuareg blues is born, and it is in Montreal
By Frédéric Cardin
Interview classique/Classical
Lanaudière Festival | The Sparkle of Strauss, Schumann, and Brahms in Joliette
By Alexandre Villemaire
Interview classique/Classical
Festival de Lanaudière | Franco Fagioli and the voice of bel canto
By Alexandre Villemaire
Concert review Africa/Electronic/latino
Nuits d’Afrique | El Gato Negro, A Feline Like No Other
By Sandra Gasana
Concert review Gnawa
Nights of Africa 2025 | A gnawa fusion reactor named Saïd Mesnaoui
By Frédéric Cardin
Concert review Africa
Nuits d’Afrique 2025 | Sousou and Maher Cissoko: benevolence and complicity
By Frédéric Cardin
Concert review Classical/classique
Festival de Lanaudière | A Successful Choral Evening for Akamus
By Alexis Desrosiers-Michaud
Interview classique/Classical
Festival d’art vocal de Montréal | Training the Next Generation of Lyric Artists, From Voice to Stage Direction
By Alexandre Villemaire
Concert review Soul/R&B/Traditional
Nuits d’Afrique | Soul Bang’s, The King of Improvisation
By Sandra Gasana
Concert review Africa/Mandingo Blues/Soul/R&B
Nuits d’Afrique | Tyrane Mondeny: The Rising Star Has Reached Her Destination
By Sandra Gasana
Interview Hip Hop/Jazz/Pop
Nuits d’Afrique | El Gato Negro, The Sound of Subtropical Pop
By Keithy Antoine
Concert review Brazilian