Country : United States Label : Blue Note Genres and styles : Jazz Year : 2024

Charles Lloyd – The Sky Will Still Be There Tomorrow (Top Albums 2024)

· by Varun Swarup

At 86, Charles Lloyd remains every bit the master storyteller, his saxophone full of wisdom and mischief. Backed by yet another phenomenal quartet—Jason Moran on piano, Larry Grenadier on bass, and Brian Blade on drums—Lloyd delivers a solid double album that shows he has not lost his touch, far from it.

The opener, “Defiant Tender Warrior,” sets the tone nicely and firmly here. It drifts between tender sighs from Lloyd’s tenor and warm bursts of energy from his band. Moran’s piano ripples alongside him, while Blade’s subtle, dynamic drumming keeps everything moving. The Sky Will Still Be There Tomorrow makes room for moments of pure uninhibited joy—like “Monk’s Dance,” where Moran and Blade’s sly rhythmic accents seem to nudge Lloyd toward a wild, ecstatic finish.

But it’s the quieter moments that really stay with you. “The Water Is Rising” highlights Lloyd’s flute playing—plaintive and haunting, like something between a prayer and a memory.

The title, The Sky Will Still Be There Tomorrow, feels like a soft promise—that even as life changes, some things endure. The closing track, “When the Sun Comes Up, Darkness Is Gone,” leaves you with that same feeling—a peaceful kind of exhale.

This a special album from Lloyd—It holds space for joy and loss, for what’s fleeting and what lasts. It’s honest, soulful, and deeply human—just like Lloyd himself. We are lucky to have him around.

Latest 360 Content

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers