In 2016, Frank Ocean ended his contract with Def Jam by releasing the mysterious Endless, a kind of experimental concept video album that left his fans a little confused. The next day, he announced the release of Blond independently on his Boys Don’t Cry label. A stroke of marketing genius, and a side-eye at his previous label, which he had openly criticized. It is difficult to summarize this album, which will have had an undeniable influence on our century, both musically and culturally. The first track on the album, “Nikes”, sets the tone with its languorous rhythm and catchy chorus. An album that will be a topic of chatter for some years to come.
Latest 360 Content
Interview Americana/Caribbean/Jazz
Valérie Clio Makes a Luminous Comeback with Crépuscule
By Keithy Antoine
Interview A Cappella/Amérique latine/Brazilian
Mikha.elles: Latin Vibrations in Four Voices
By Sandra Gasana
Interview Classical/classique
Esteban la Rotta: Back to the Ancient Origins of the Lute
By Frédéric Cardin
Interview Jazz
We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.
By Frédéric Cardin
Interview Classical/classique
Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor
By Frédéric Cardin
Concert review Classical/classique/danse
Stephanie Lake Company: Symbiosis of Strike and Movement
By Frédéric Cardin
Concert review Western European/latino/Pop/Rock
Maruja Limón, Weapon of Mass Construction!
By Alain Brunet
Concert review Jazz
Hilario Durán and The UdeM Big Band: Caliente at Claude-Champagne Hall!
By Michel Labrecque
Interview Reggae
David Cairol and Taïro Unveil “Ticket pour Mars”, A Socially Conscious Reggae Single
By Sandra Gasana
Album review Classical/classique 2026
Esteban La Rotta – Orbus Ille Germanus : L’art du luth allemand au XVe siècle
By Frédéric Cardin
Album review Electronic/Classical/classique/expérimental / contemporain/musique de film 2026





















