Headlining the new Buffalo rap scene, known for its raw aesthetics in tune with the East Coast sound of the 1990s, Benny the Butcher presents his Black Soprano Family collective on this first mixtape under the leadership of DJ Drama, one of the key producers behind the emergence of trap. In short, two eras meet, but the mix remains homogeneous: raw rhythms, elementary sampling and sharp lyrics. In the pure tradition of mafioso rap, a New York sub-genre that praises the Cosa Nostra and its modalities (crime and luxury, but loyalty and brotherhood above all), the five rappers show their strengths on eight fiery songs which, if not all memorable, embody an obvious complicity, notably symbolized by their reappropriation of the codes of the American cult series The Sopranos. In spite of the talent of his four companions (Ricky Hyde, Loveboat Luciano, Jonesy, and Hemmer Da Steemer, who in particular comes out on top), Benny the Butcher steals the show on several occasions, notably on “It’s Over” and “Grams in the Water”, which contains a few gems like, “I put coke-white seats inside a lime-green Tesla”. It’s a worthwhile introduction if you like raw rap, full of popular references and all kinds of allusions to drug dealing.
Latest 360 Content
Album review classique/Jazz 2025
Nadia Labrie – Flûte Passion : Bolling Suite no 2 for flute and Jazz piano trio
By Frédéric Cardin
Interview Classical/classique
Maria Gajraj : not your average organist and organ music. And that’s a wonderful thing!
By Frédéric Cardin
Concert review Eastern European/Classical/classique
Enchanting choral Croatia at the Centre des musiciens du monde
By Frédéric Cardin
Album review Classical/classique/Pop 2025
Viviane Audet – Le piano et le torrent
By Marilyn Bouchard
Interview Classical/classique/expérimental / contemporain/Rock
FIMAV | Sleepytime Gorilla Museum, the museum of tremors
By Alain Brunet
Album review expérimental / contemporain/Rock/Pop 2025
Deerhoof – Noble and Godlike in Ruin
By Stephan Boissonneault
Interview expérimental / contemporain/Experimental / Contemporary/Rock
A Place To Bury Strangers on Building Sonic Weapons and Playing Shows That Feel Like Car Crashes
By Stephan Boissonneault
Album review Classical/classique 2025
Alison Luthmers – Johann Helmich Roman : Assaggi for solo violin
By Frédéric Cardin
Interview expérimental / contemporain/Experimental / Contemporary/Jazz/Soul/R&B/Psychedelia
FIRE! Orchestra at FIMAV: Power Trio Meets Canadian Community of Avant-Garde Players
By Alain Brunet
Album review Electronic/Folk/Americana/Jazz 2025
Everything is Recorded – Temporary
By Michel Labrecque
Album review Hip Hop 2025
Wu-Tang Clan & Mathematics – Black Samson, the Bastard Swordsman.
By Stephan Boissonneault
Interview Jazz
Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita
By Alain Brunet
Album review Classical/classique 2025