After her first effort with Hardwood, the label of Canadian indie folk singer Hayden, Lou Canon has signed to Toronto-based Paper Bag (Becky Ninkovic, The Dears, Yamantaka // Sonic Titan). With this third album, as suggested by the album cover, which depicts Lou in a fetal position, dressed in stockings and lingerie, the composer gives us access to a staging of her intimacy and corporality. The 10 tracks create for a moment an intimate universe with universal appeal, thanks to the lyrics, imbued with poetry and sensitivity. Death, love, sexuality, the relationship to the body, to others (“Next To You”, a proximity we share with the artist), and to time resonate with everyone’s experiences. The human being set to music, in their strength and fragility, fears and aspirations (“Invisible Desire”). The musical structures, often unexpected, show a true artistic vision that takes the project away from electro-pop and brings it closer to the experimental. The dark atmosphere of the work, labelled “noir pop”, floats the spirit of film noir over “M.O.T.R.”, and a special mention goes to “For Life”, which plunges into a spiritual atmosphere, a kind of very touching funeral oration, delivering a message of hope – “Don’t give up”. An encounter between heaven (the finesse of her voice, the choirs) and earth (the organ, the strings). Would it be a passage from one to the other? Yours to judge.
Latest 360 Content
Interview Classical/classique
Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story
By Marilyn Bouchard
Concert review Classical/classique
“Hiroshima, mon amour”: An Evening to Remember
By Marilyn Bouchard
Concert review Électro/euro-disco
Art of the Line: Klangkarussell’s Euro Vision at SAT
By Loic Minty
Dossier
Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial
By Stephan Boissonneault
Album review classique/Sacred Music/Latino/Classical/Pop 2025
Lido Pimienta – La Belleza
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Rock/psych 2025
Grails – Miracle Music
By Stephan Boissonneault
Album review Electronic/Indigenous peoples 2025
The Halluci Nation – Path of the Baby Face
By Stephan Boissonneault
Interview Classical/classique
A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season
By Frédéric Cardin
Concert review classique/Classical/Traditional
The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time
By Judith Hamel
Concert review Classical/classique
Reaching for the sky: Francis Choinière’s challenge to end his OPCM’s 10th season
By Frédéric Cardin
Album review art rock/Pop/Rock/électro-indie/Electronic 2025
Stereolab – Instant Holograms On Metal Film
By Stephan Boissonneault
Interview expérimental / contemporain/Classical/classique
SMCQ | In memoriam Jocelyn Morlock
By Alain Brunet
Album review Classical/classique 2025