Who hasn’t dreamt of travelling back in time? Is it a science-fiction delusion, or an increasingly plausible scientific aspiration? The new Attraktors project makes this fantasy come true, in any case, by opening an auditory temporal rift towards the golden age of the krautrock movement. Composed notably of former band members behind shaman Julian Cope (also the author of a rather complete guide to kosmische musik) and of the ’90s space-rock band Six by Seven, the Nottingham trio has created an album that looks like a retrofuturistic artifact found by chance on a VHS cassette from the ’80s. The album oscillates around minimalist and ethereal synth lines in the vein of those of Tim Blake (Gong, Hawkwind) or Tangerine Dream, and more meditative new-age and ambient elements inspired by Laraaji and Brian Eno, immersed in a groovy atmosphere in the new-wave style of Human League or Depeche Mode. The whole takes on the aspect of a somewhat outdated soundtrack for, say, an old documentary about the beginnings of the Internet or the conquest of space during the Cold War. The album will probably provoke a fair amount of déjà-vu among habitués of the krautrock world, but it’s still a nice tribute to the German experimental movement and its mystical, hypnotic universe.
Latest 360 Content
Concert review Electronic
SAT X Making Time | Aurora Halal, dark, pulsating, sensual vibe with mystery and emotion.
By Julius Cesaratto
Interview Africa
VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi
By Frédéric Cardin
Interview Jazz
Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL
By Michel Rondeau
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Flux 2026 | Liberté-Anne presents Frotae vol. 2
By Frédéric Cardin
Interview Pop/Classical/classique/expérimental / contemporain/Experimental / Contemporary
Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo
By Frédéric Cardin
Interview classique
Nicolas Ellis, Elizabeth St-Gelais, and the Orchestre de l’Agora at Bourgie: Under the watchful eye of the Moon, angels pass by
By Frédéric Cardin
Concert review Classical/classique
QMP 2026 | Épatants quatuors de George Lewis par Bozzini
By Frédéric Cardin
Interview Electronic
SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming
By Julius Cesaratto
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Rock
Flux 2026 | 1st week-end according to Peter Burton
By Alain Brunet
Interview classique/Classical
Between Shostakovich and improvisation, Gabriela Montero speaks of freedom
By Alexandre Villemaire
Concert review Rock/Classical/classique/Jazz/free-rock/Experimental / Contemporary/expérimental / contemporain
QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes
By Frédéric Cardin
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Concert review Electronic
Piknic Electronik | Egyptian Lover has the catalogue and the credentials, but…
By Julius Cesaratto
Interview expérimental / contemporain
Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”
By Alain Brunet
Interview afro-tech/Brazilian/Électro/Electronic/Pop
SAT / Making Time | Olof Dreijer Beyond The Knife… The Drums !
By Alain Brunet
Interview expérimental / contemporain/Classical/classique
Bozzini Quartet plays the quartets of an icon of avant-garde jazz: George Lewis
By Frédéric Cardin
Interview classique























