As they say in America, It takes two to tango. And that’s exactly what these recidivists, the two magnificent French musicians Vincent Peirani (Bayan chromatic accordion, button accordion) and Émile Parisien (soprano sax), do here. Abrazo is a musical and fusional embrace between a pair who’ve been linked by a solid friendship for several years now. In 2014, together they won the Instrumental Revelation prize at the Victoire de la musique jazz gala. Until 2020, they continued to alternate collaborations in duet and group format, in very creative and diverse projects such as La belle époque, Living Being, Thrill Box and File Under Zawinul, among others. It’s therefore with windows wide open on South American music that the magical tandem approaches this new challenge. Recognizable here, inevitably, are the compositions of Argentinean giant Astor Piazzolla, made of vital violence, of spurts of love, of texture and drama. Slow, uninhibiyed, melodic tango, like chamber music or romantic film music. Tango that is biting, intense, fast and fiery, intimate or spectacular, sometimes very mellow and even sad, but always tango first and in all sincerity. Possibly one of the important albums of this crucial year.
Latest 360 Content
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
By Stephan Boissonneault
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
By Frédéric Cardin
Album review Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
By Stephan Boissonneault
Album review Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
By Alain Brunet
Album review classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
By Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
By Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
By Elena Mandolini
Interview classique/Jazz/Classical
OSL | Naomi Woo | Musique du Nouveau Monde
By Alexandre Villemaire
Album review classique/Jazz 2024
Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio
By Frédéric Cardin
Album review Classical/classique 2024
David Jalbert – Prokofiev : Piano Sonatas vol. II
By Frédéric Cardin
Interview Rock/Electronic/Pop/Jazz