A U R O R A

· par Alain Brunet

Conceived at the border between the Democratic Republic of Congo and Rwanda, in the context of a film shot in a combat zone, Ben Frost composed a work parallel to the ghastly experience he was living at the time. Evocations of war and catastrophe run through this recording, which is sometimes very violent, but also very lyrical and even epic. Working from dark reflections on human madness and nature unleashed, the composer has created a work that is simply amazing, one that follows the most brutal trends in electro… and from which great beauty emerges.

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Vancouver Turning Point Ensemble celebrates in Montreal with SMCQ

Vancouver Turning Point Ensemble celebrates in Montreal with SMCQ

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Ballsy – Bisou

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Jacques Kuba-Séguin – Parfum no 2

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Sarah Rossy – Seemingly Insatiable Waves

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Cyrille Dubois/Tristan Raës – Louis Beydts (1895-1953) : Melodies and Songs

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Ruth Saphir – Accolades of Time

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Gabriel Genest – As It Is

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Karma Glider – Sugarcane

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Shannon & The Clams – The Moon Is In The Wrong Place

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FIMAV 2024 | Sélébéyone, or cultural intersections according to Steve Lehman

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Kaia Kater Talks About Her New Album Strange Medicine

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FIMAV | Natural Information Society informs you of its great sounds !

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Catherine Major – La mémoire du corps

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Myriam Gendron – Mayday

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CMIM – Piano 2024 | Jaeden Izik-Dzurko, first Canadian pianist ever to win

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CMIM – Piano 2024: The finalists’ penultimate stretch (Part 2)

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Empress Of – For Your Consideration

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CMIM – Piano 2024: The penultimate round of finalists (Part 1)

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Musical Chairs, a chamber music festival at the Schulich School of Music

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Swing the Mass at Cinquième salle : Will Todd’s Mass in Blue for a rare occasion in Quebec

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Meet Uuriintuya Khalivan: the woman who brings Mongolia to Canada

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CMIM – Piano 2024 | Finalists announced

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Women’s Silk Roads at the Centre des Musiciens du Monde Festival 2024

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Random Access Memories, 11 years later: HI FI document at PHI Center

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