Investing dystopian techno with Asian inspirations is the bold trajectory undertaken by the Malaysian producer for his first album on the New York label. The seven tracks form a digital embrace contaminated by malignancies, its martial, metallic architectures enhanced by a slippery and innovative sense of space. Between sparkling glamour and urban decay, Tzusing displays a singular mastery of danger that cannot leave one indifferent.
Latest 360 Content
Interview Classical/classique
The Lake at Grands Ballets : Replacing Tchaïkovski… by Tchaïkovski
By Frédéric Cardin
Concert review Caribbean/Jazz
Kulusé Souriant, A Jazz Style Influenced by Caribbean Roots
By Sandra Gasana
Concert review Classical/classique/Musiques du Monde
Festival Accès Asie – Flutes of the World, Unite!
By Frédéric Cardin
Album review musique de film 2026
Ludwig Göransson – The Mandalorian and Grogu – Original Motion Picture Soundtrack
By Frédéric Cardin
Interview A Cappella/Classical/classique
Classica 2026 | Let’s Start With a Choir, some Sea Songs and Sacred Anthems !
By Alain Brunet
Interview expérimental / contemporain/Pop/Multidisciplinaire
Elle Barbara | “A One Man Show”, Pop, Glamour and Avant-Garde Trans… Disciplinary
By Alain Brunet
Concert review Hip Hop
Palomosa 2026: Xaviersobased Makes No Sense and That’s the Point
By Loic Minty
Interview Jazz/expérimental / contemporain/Rock
Palais Montcalm | Bill Bruford has (also) always been a jazz drummer
By Alain Brunet
Concert review Electronic/Pop
Palomosa 2026: Just Warming Up With Cirque Cosmic, Chippy Nonstop, and X-Coast
By Z Neto Vinheiras
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary























![FIMAV 2026 | أحمد [Ahmed] Raises the Debate](https://panm360.com/wp-content/uploads/2026/05/Ahmed-live-500x500.jpg)