Shades of Bowie, composed for the man behind Blackstar

Interview by Alain Brunet
Genres and styles : chamber jazz / Contemporary Jazz

Additional Information

The Orchestre national de jazz de Montréal (ONJ) and the ODD SOUND Festival welcome saxophonist and composer Donny McCaslin, under the direction of Montreal conductor, composer and saxophonist Philippe Côté.

This is in fact the opening concert of the ODDSOUND organization’s festival, whose star piece is Shades of Bowie, a piece by Philippe Côté inspired by the music of David Bowie, composed for Donny McCaslin and the Orchestre national de jazz de Montréal. The American saxophonist and composer, a Montreal regular since the late ’80s, was musical director for the recording of the extraordinary Blackstar album, David Bowie’s final offering.

Philippe Côté has known Donny McCaslin since a long stay in New York some fifteen years ago. McCaslin befriended saxophonist and composer David Binney, with whom he produced the album Lungta, released in concert in 2016 with the ONJ. The rock spirit and electro openness that Donny McCaslin’s music led Bowie to recruit him to the musical direction has taken for several years, and from the pivotal role McCaslin played in Bowie’s masterful final opus Blackstar, Philippe Côté wanted to pay tribute to Bowie as well as his influence on McCaslin’s career by interlacing his music with subtle Bowian evocations.

For the guest soloist, Shades of Bowie is an opportunity to improvise to his heart’s content on an orchestral fresco noticeably reinforced by percussion.

Opening the evening, McGill University’s Jazz Orchestra 1 will present a repertoire including Two fifteen, a piece by Philippe Côté inspired by Lee Tsang’s poem of the same title about residential schools.

So many reasons to interview the soloist and his composer by video, before the concert takes place on Wednesday April 10, an ONJ program in Place des Arts’ 5e salle.

PROGRAM

ORCHESTRE NATIONAL DE JAZZ DE MONTRÉAL

Ariste invité | Donny McCaslin

Chef d’orchestre | Philippe Côté

Saxophones

Jean-Pierre Zanella, Samuel Blais, André Leroux, Frank Lozano, Alexandre Coté

Trombones

Dave Grott, Margaret Donovan, Taylor Donaldson, Jean-Sébastien Vachon

Trompettes

Jocelyn Couture, Aron Doyle, David Carbonneau, Bill Mahar

Piano | Marianne Trudel

Guitare | Steve Raegele

Contrebasse | Rémi-Jean LeBlanc

Batterie | Kevin Warren

Percussions | Fabrice Marandola, Joao Catalao

crédit photo: Dave Stapleton

INFOS ET BILLETS ICI

Latest 360 Content

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa

FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa

George Lewis: Scores of Freedom

George Lewis: Scores of Freedom

Flux 2026 | 2nd week according to Peter Burton

Flux 2026 | 2nd week according to Peter Burton

QMP 2026 | Hugo Blouin, spoken words and played words

QMP 2026 | Hugo Blouin, spoken words and played words

VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi

VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi

Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL

Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL

Flux 2026 | Liberté-Anne presents Frotae vol. 2

Flux 2026 | Liberté-Anne presents Frotae vol. 2

Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo

Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo

Nicolas Ellis, Elizabeth St-Gelais, and the Orchestre de l’Agora at Bourgie: Under the watchful eye of the Moon, angels pass by

Nicolas Ellis, Elizabeth St-Gelais, and the Orchestre de l’Agora at Bourgie: Under the watchful eye of the Moon, angels pass by

SAT / Making Time | When Friendship Becomes a Happening

SAT / Making Time | When Friendship Becomes a Happening

SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming

SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming

Flux 2026 | 1st week-end according to Peter Burton

Flux 2026 | 1st week-end according to Peter Burton

Between Shostakovich and improvisation, Gabriela Montero speaks of freedom

Between Shostakovich and improvisation, Gabriela Montero speaks of freedom

Joep Beving: Imagination and Reflection First

Joep Beving: Imagination and Reflection First

Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”

Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”

SAT / Making Time | Olof Dreijer Beyond The Knife… The Drums !

SAT / Making Time | Olof Dreijer Beyond The Knife… The Drums !

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers