Opera McGill | The Light at the Piazza: Maestro Jonathan Monro Sheds Light on The Musical

Interview by Alexandre Villemaire
Genres and styles : Broadway / Classical / Musical Theatre / Opera

Additional Information

Created in 2003 before making its Broadway debut in 2005, The Light at the Piazza is one of those works that mixes the codes of popular Broadway performances with the lyrical musical lines of operatic language. Winner of six Tony Awards, including Best Original Score, the composer’s sophisticated score is both a rewarding project for Opera McGill’s young opera artists, and an interpretative and technical challenge. A few hours before the opening night of this performance at the Monument national, which runs from January 31 to February 2, Alexandre Villemaire spoke for PAN M 360 with conductor Jonathan Monro, who will be at the podium for all three performances, to talk about the work and its particular aesthetic.

The Light in the Piazza

Libretto by CRAIG LUCAS
Music and lyrics by ADAM GUETTEL

Jonathan Monro, chef
David Gately, director (Catherine Thornhill Steele Visiting Artist)

January 31 at 7:30

February 1 at 7:30

February 2 at 2pm

Tickets are available HERE

Latest 360 Content

Virginia MacDonald, clarinet rising soloist with ONJM

Virginia MacDonald, clarinet rising soloist with ONJM

Stéphanie Boulay: Healing Album, Reconstruction Album

Stéphanie Boulay: Healing Album, Reconstruction Album

Joni Void wants you to ‘watch experimental films in the club’ or at La Lumière

Joni Void wants you to ‘watch experimental films in the club’ or at La Lumière

Marcus Printup at U de M: Wisdom, Generosity, Musicianship

Marcus Printup at U de M: Wisdom, Generosity, Musicianship

Pascale Picard Dives Back Into Creation

Pascale Picard Dives Back Into Creation

Pro Musica | Lucas Debargue, Pianistic Free Thinker

Pro Musica | Lucas Debargue, Pianistic Free Thinker

Laurence Hélie Has Found Her Name

Laurence Hélie Has Found Her Name

Quatuor Molinari and Berio, in the words of Olga Ranzenhofer

Quatuor Molinari and Berio, in the words of Olga Ranzenhofer

Arianne Moffatt, Airs de Jeux, Idea to Play, Desire to Play, Need to Play…

Arianne Moffatt, Airs de Jeux, Idea to Play, Desire to Play, Need to Play…

Arion Orchestre Baroque and The World of Thomas Dunford… From The 16th to The 20th Century!

Arion Orchestre Baroque and The World of Thomas Dunford… From The 16th to The 20th Century!

Bach’s St. John Passion : A Sacred Opera to Conclude Ensemble Caprice’s Season

Bach’s St. John Passion : A Sacred Opera to Conclude Ensemble Caprice’s Season

Another Hit for Shreez! Third Studio Album

Another Hit for Shreez! Third Studio Album

Marie Nadeau-Tremblay | When Baroque Becomes Obsession

Marie Nadeau-Tremblay | When Baroque Becomes Obsession

Kizaba: Between Ancestrality and Afro-Futurism

Kizaba: Between Ancestrality and Afro-Futurism

Caroline Savoie Succumbs to Her Guilty Pleasures

Caroline Savoie Succumbs to Her Guilty Pleasures

Opera McGill | Imeneo of Handel through the lens of Patrick Hansen

Opera McGill | Imeneo of Handel through the lens of Patrick Hansen

Mivos Quartet: three times Reich at Bourgie

Mivos Quartet: three times Reich at Bourgie

Éléonore Lagacé and Brûlez-moi vive: pop on fire

Éléonore Lagacé and Brûlez-moi vive: pop on fire

Pro Musica | Piano prodigy Jaeden Izik-Dzurko: “serious”, “introverted” and… extremely refined

Pro Musica | Piano prodigy Jaeden Izik-Dzurko: “serious”, “introverted” and… extremely refined

An Invitation to Travel by Boubé

An Invitation to Travel by Boubé

SAT | Le Couleur Changes Spectrum, But First…

SAT | Le Couleur Changes Spectrum, But First…

Bella White: a newer country bluegrass star

Bella White: a newer country bluegrass star

Classic Rock… Hard Rock… Bob Rock… The Damn Truth!

Classic Rock… Hard Rock… Bob Rock… The Damn Truth!

Dicko Fils: on the road to modernity for the Fulani people

Dicko Fils: on the road to modernity for the Fulani people

Subscribe to our newsletter