Nuits d’Afrique | Las Karamba, Between Sisterhood and Activism

Interview by Michel Labrecque
Genres and styles : latino / Rumba / Salsa / Son

Additional Information

Las Karamba is an all-female group from Barcelona, made up mainly of Latin American immigrants.

Two Venezuelans, two Cubans, one Argentinean and one Catalan. After two albums, Las Karamba will be at Nuits d’Afrique for the first time on July 20, at Scène TD in the Quartier des Spectacles, at 8:15pm. Free admission. Michel Labrecque spoke, in Spanish, with two members of this festive yet militant group. Natacha Arizu, Argentine and keyboardist, and Ayvin Bruno, Venezuelan and singer, answer his questions.

PANM360: Tell me about the genesis of this women’s group, how did Las Karamba come about?

Ayvin Bruno: I can say I’m the initiator, it was 2018. In Barcelona, there’s a whole open music scene, which allows jam sessions, where lots of people from many different countries can meet. It was in this context that we formed this all-female group, to tell our stories of migration, from Latin America to Europe. We quickly realized that we had a lot in common, even though we came from different countries. In 2021, Camino Asi, our first album, was released, and in 2024, our second, Te lo Digo Cantando, will be much of what we present in Montreal.

PANM360: It seems to me that the musical denominator between the six of you is a love for Cuban music: salsa, rumba, son, etc. Am I right?

Natacha Arizu: No, although I’m Argentine, I grew up listening to a lot of Cuban music, and it’s the same for the others. There are also two Cuban musicians in the group. So that’s our musical base, but after that, each of us brings a bit of the color of her country and her personal experience.

Ayvin Bruno: But we all have this affinity with the Cuban sound. It’s a dance music that’s recognized internationally. And that unites us.

PANM360: Your music is danceable, but you also want to make people think. What do you want to say in your songs?

Ayvin Bruno: You know, on the whole, Latin music is written from a masculine, even patriarchal, perspective. Because the vast majority of composers were men. Our songs tell our side of the story. They tell of our struggles, our daily lives, our lives as mothers, our anxieties, and also the perspective of our mothers or our ancestors. I think it’s a social necessity to do that.

We also wrote a song in Catalan, since we live in Barcelona and it’s the language of the majority. But, apart from a Catalan woman who’s with us, we tell the story from our perspective as migrants, coming here to tame a new society and offer it the best of us. And now we have the opportunity to tell our stories on an international scale by shooting abroad.

PANM360: As Latin Americans, why did you choose to immigrate to Spain rather than the United States, as so many people do?

Natacha Arizu: For my part, I was attracted by the cultural similarities and the common language. For me, the United States didn’t necessarily represent an ideal. Argentina is largely populated by European immigrants. And what’s happening in the United States at the moment reinforces my choice.

Ayvin Bruno: For my part, I’ve had an Italian passport since the age of 9, thanks to my grandmother. It was much easier to come to Europe. That’s why my sister, who’s also part of Las Karamba, and I have been here for almost 20 years. I have a lot of Venezuelan friends who live in the United States, and their situation is very complicated right now with the new administration. I’m very happy with my choice.

PANM360: And right now, the Spanish economy is doing quite well, and the country seems very happy to welcome immigrants with a common language and culture. Let’s get back to the music: what will you be presenting in Montreal?

Natacha Arizu: These will be 100% original compositions. You’ll be able to dance and think at the same time. It’s a mixture of things.

Ayvin Bruno: You’ll also feel our complicity, our solidarity, which we’re living to the full because we’re constantly together on this tour. Our first in North America.

PANM360: See you in Montreal, at the TD Stage, on July 20!

Publicité panam

Latest 360 Content

Nuits d’Afrique | Mateus Vidal Reborn With Axé Experience

Nuits d’Afrique | Mateus Vidal Reborn With Axé Experience

Festival de Lanaudière | Chanticleer : To Polyphony And Beyond

Festival de Lanaudière | Chanticleer : To Polyphony And Beyond

Nuits d’Afrique | Less Toches, Three Nights in A Row

Nuits d’Afrique | Less Toches, Three Nights in A Row

Nuits d’Afrique | All the Peppers of Sauce Piquante Sound System

Nuits d’Afrique | All the Peppers of Sauce Piquante Sound System

Festival de Lanaudière | Collectif9 : contemporary music through groove and folk

Festival de Lanaudière | Collectif9 : contemporary music through groove and folk

Nuits d’Afrique | Daby Touré’s Montreal Cycle

Nuits d’Afrique | Daby Touré’s Montreal Cycle

Nuits d’Afrique | Las Karamba, Between Sisterhood and Activism

Nuits d’Afrique | Las Karamba, Between Sisterhood and Activism

Nuits d’Afrique | Shatta Initiation with Blaiz Fayah

Nuits d’Afrique | Shatta Initiation with Blaiz Fayah

Festival de Lanaudière | Live tour de force by Christian Tetzlaff: the JS Bach Complete Sonatas and Partitas

Festival de Lanaudière | Live tour de force by Christian Tetzlaff: the JS Bach Complete Sonatas and Partitas

Festival Un Goût des Caraïbes: All Those Islands Within The Island

Festival Un Goût des Caraïbes: All Those Islands Within The Island

Nuits d’Afrique | KillaBeatMaker, Afro Columbian Electronic Groove

Nuits d’Afrique | KillaBeatMaker, Afro Columbian Electronic Groove

Nuits d’Afrique 2025: ALL About The Program

Nuits d’Afrique 2025: ALL About The Program

Nuits d’Afrique | SARĀB, Syrian-Lebanese Songs Sizzled With Metal and Jazz-Rock

Nuits d’Afrique | SARĀB, Syrian-Lebanese Songs Sizzled With Metal and Jazz-Rock

FIJM | Saxophonist and vocalist Camille Thurman, New Montreal Hidden Treasure

FIJM | Saxophonist and vocalist Camille Thurman, New Montreal Hidden Treasure

Nuits d’Afrique | Fulu Miziki Kolektiv in Search of New Sounds

Nuits d’Afrique | Fulu Miziki Kolektiv in Search of New Sounds

FIJM | Jean Michel Blais & Lara Somogyi: Fruits of The Desert

FIJM | Jean Michel Blais & Lara Somogyi: Fruits of The Desert

FIJM | Alexis Lombre and the Holy Spirit in the South Side of Chicago

FIJM | Alexis Lombre and the Holy Spirit in the South Side of Chicago

Nuits d’Afrique | Immersion In The World of Stogie T

Nuits d’Afrique | Immersion In The World of Stogie T

Nuits d’Afrique | La Chiva Gantiva As Seen by Rafael Espinel

Nuits d’Afrique | La Chiva Gantiva As Seen by Rafael Espinel

FIJM | About Derrick Hodge’s Idea of the Color of Noize

FIJM | About Derrick Hodge’s Idea of the Color of Noize

Festival de Lanaudière | Leonardo Garcia Alarcon/Monteverdi’s Coronation of Poppea: being marketwise

Festival de Lanaudière | Leonardo Garcia Alarcon/Monteverdi’s Coronation of Poppea: being marketwise

Nuits d’Afrique 2025 | Tyrane Mondeny Presents Her Mandingo Soul

Nuits d’Afrique 2025 | Tyrane Mondeny Presents Her Mandingo Soul

FIJM | Gabriella Olivo, Musical Journey in Three Languages

FIJM | Gabriella Olivo, Musical Journey in Three Languages

Cumbia, Chaos, and Resistance: Empanadas Illegales Bring the Heat to Montreal Jazz Fest

Cumbia, Chaos, and Resistance: Empanadas Illegales Bring the Heat to Montreal Jazz Fest

Subscribe to our newsletter