Bell Orchestre becomes immersive and interactive, House Music becomes Sound House at SAT

Interview by Alain Brunet

Additional Information

You enter the exhibition area and recognize modified versions of pieces from the album Sound House, recorded in Vermont in the home of violinist Sarah Neufeld and released on the Erased Tapes label in March 2021. Bell Orchestre breathes new life into this document by reshaping the tracks for interactive use with the AATOAA concert.

In this way, you walk through different stations in the exhibition, at the foot of which objects are placed. Each object can trigger a track on the master tape, modifying the mix in real time. Authentic audiovisual immersion!

Produced by Envision Management and realized by AATOAA, Vincent Morisset and Caroline Robert, Sound House is an interactive audiovisual installation. Sound House transforms itself according to the interactions generated by visitors. “A spatialized score is co-composed in real time from the original recording, while the time of day, seasons and places scroll by through the window.

Bell Orchestre Sound House is on view from June 7 to July 27 at the Society for Arts and Technology (SAT). For PAN M 360, Alain Brunet met up with Vincent Morriset and Caroline Robert, designers of the installation, this time alongside two members of Bell Orchestre: horn player Pietro Amato, responsible for the installation’s sonic remodeling, and bassist and multi-instrumentalist – also co-founder of the band Arcade Fire, as we all know.

INFOS ET BILLETS ICI

Latest 360 Content

Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present

Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present

FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters

FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters

Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka

Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka

Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music

Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music

FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today

FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today

Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry

Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry

Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”

Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Voces Boreales | Tempus Fugit, “to experience time differently”

Voces Boreales | Tempus Fugit, “to experience time differently”

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers