Jazz / Salsa

PAN M 360 at FIJM 2024 | Audrey Ochoa Quartet, a convincing groove

by Vitta Morales

The Audrey Ochoa quartet gave a very competent performance last evening at the Pub Molson stage. Highlights of the show include several selections from her latest album The Head of a Mouse which was well received here at PAN M 360. Notably, the quartet formation resulted in versions of these songs that were more bare-bones, but still effective. Additionally, Ochoa showed off her talent as a vocalist singing “I want you back” by the Jackson 5. There were, however, a few elements that stopped this good show from being a great one. 

When joking with the crowd, Ochoa comes across as rather clunky. Her voice also betrayed a nervousness when speaking that affected the vibe of her set. (Did someone forget to tell her that Montreal Jazz Fest was one of the happiest places on earth?)
This nervousness, fortunately, seemed to be completely forgotten as soon as Ochoa began to speak instead through her horn. When soloing, you can see she has a confidence coming from somewhere visceral; it would be nice for her to maintain that. 

Another nitpick of mine was the use of sheet music on stage by some of the musicians. I wasn’t under the impression that they were absolutely dependent on their charts but having them visible, along with music stands, created a barrier between audience and performer. It felt to me like I was watching a high-level rehearsal of interesting compositions and that a final dash of showmanship was missing. 

Finally, to my ears, the bassist and pianist didn’t nail the more salsa influenced moments of Ochoa’s music. It takes a while to learn salsa grooves with the proper inflections, and their interpretations lapsed into cruise ship level approximations at the worst of times. Only the drummer, besides Ochoa herself, seemed to have a decent command of Latin rhythms as the approximations percussion wise were quite serviceable and groovy. 

Regardless, I believe Ochoa has a lot of skill and it wouldn’t take much work on her end to transform her concerts into true events. I’m glad the prolific Edmontonian trombonist was able to make it to this year’s festival as it was a pleasure to review her eclectic music and see her abilities in a live setting. Here’s hoping she finds just a little bit of arrogance to match her prowess musically. 

photo: Artist Instagram page @audreyochotron

Latest 360 Content

FIJM 2026 | Elena Pinderhughes

FIJM 2026 | Elena Pinderhughes

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night

Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night

FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks

FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks

FIJM 2026 | Keyon Harrold, Miles and him

FIJM 2026 | Keyon Harrold, Miles and him

Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)

Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)

FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy

FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy

FIJM 2026 I Hiromi Uehara: A Musical Journey Full of (Sonic) Wonder

FIJM 2026 I Hiromi Uehara: A Musical Journey Full of (Sonic) Wonder

FIJM 2026 I Kamasi Washington Brings Us to Space

FIJM 2026 I Kamasi Washington Brings Us to Space

FIJM 2026 | Rémi Cormier takes us up in his own Ascenseur pour l’échafaud

FIJM 2026 | Rémi Cormier takes us up in his own Ascenseur pour l’échafaud

FIJM 2026 | Marvin Caleb at the Heart of the Afro Revival in the Caribbean

FIJM 2026 | Marvin Caleb at the Heart of the Afro Revival in the Caribbean

FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 1

FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 1

FIJM 2026 | Charles Lloyd: An Icon, a Legend, and So Much More

FIJM 2026 | Charles Lloyd: An Icon, a Legend, and So Much More

FIJM 2026 | Adrian Quesada, a great musical innovator in Texas

FIJM 2026 | Adrian Quesada, a great musical innovator in Texas

FIJM 2026 | The polka dot alien Québécois craze has landed

FIJM 2026 | The polka dot alien Québécois craze has landed

FIJM 2026 | Louis Cole and David Binney, crucial players of an extended family in LA

FIJM 2026 | Louis Cole and David Binney, crucial players of an extended family in LA

FIJM 2026 | Day 4 | June 28 | Modibo Keita’s Picks

FIJM 2026 | Day 4 | June 28 | Modibo Keita’s Picks

FIJM 2026 | MA:Q, a Healthy Dose of Vancouver Jazz Groove

FIJM 2026 | MA:Q, a Healthy Dose of Vancouver Jazz Groove

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers