Electro-Pop / Indie Pop / Industrial / Synth-Pop

OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat

by Stephan Boissonneault

Her Osheaga Main Stage closing set began with a heart monitor—a video recording of Ella Marija Lani Yelich-O’Connor (better known as Lorde)—and then her walking out to the side stage and grooving on some bass on a Korg Kaoss pad. We then got a one-minute version of “Royals,” which came out (my god … 13 years ago) on the Pure Heroine album, which launched this unconventional, introspective pop star into the stratosphere.

I immediately clocked the camera movement during Lorde’s set—top-down and cinematic, bouncing between very intimate moments where we are close up on her face and outfit (a black Arc’teryx rain coat and track pants). Lorde was also strapped to a heart monitor, and the visual backdrop would switch to her readings (esoteric and album-thematic vital signs like “Melodrama”, her actual heart rate and rhythms, and ECG readings. The visual backdrop also played different videos of the show—more of the background setting, made up of two flamboyant dancers, a backing band (which was super surprising given much of the new album is very studio-computer made), and a silver water fountain at the left of the stage, which Lorde and the dancers utilized quite a bit during the set.

Lorde ran around every part of the stage in synchronized madness, and the visuals would glitch out into these post-technology, computerized blurs, going on brand with the track “Shapeshifter,” and the suburbia industrial tinge of the newest album.

At one point, she hopped on a rectangular box (that doubles as an LCD screen) and sang the “Shapeshifter” Virgin track, as the box slowly opened and revealed a worm’s-eye view of Lorde singing over pressed plastic glass—like a titan over her prey. For one maximalist moment, during “Man of the Year,” Lorde switched from her activewear fit into a shining black jacket that blasted out red lasers.

And then Lorde fooled all of Montreal into believing that she had brought out Charli xcx for the track “Girl, so confusing,” by saying “Give it up for Charli xcx,” when it was really only a backing track of Charli’s voice. Well played, Lorde.

Latest 360 Content

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Girl Ultra – RRRomeo

Girl Ultra – RRRomeo

Cameron Winter – Live at Carnegie Hall

Cameron Winter – Live at Carnegie Hall

Eveybody’s Friends With Broken Social Scene

Eveybody’s Friends With Broken Social Scene

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers