Reggae / Roots Reggae

Nuits d’Afrique | Far From Being a Calamity, Mo’Kalamity Was a Blessing.

by Sandra Gasana

Despite the sweltering heat, Mo’Kalamity still managed to heat up the Loto Québec stage during her very first Montreal performance. For the occasion, she was accompanied by two guitarists, a stylish flutist who also provided backing vocals, a drummer, a bassist, and a keyboardist. She appeared on stage dressed entirely in red, wearing her famous headscarf, which has become her signature look.

Throughout the concert, she danced with a smile on her face, clearly delighted to meet her new Montreal audience, which grew larger and larger as the evening progressed. We were treated to several tracks from her latest album, Shine, as well as other classics from the 2007 album Warriors of Light and the 2013 album Freedom of the Soul.

“Good evening, Montreal! Are you ready for a trip to Kingston?” she asks us, just before Gotta Get Away. She addresses the audience in French but also in English, while the intensity increases from one song to the next, sometimes without transition. The song What A Time was well received, probably because it is so relevant in the current context.

Of course, a song in Portuguese had to be included in the set list, and she chose Cima Vento from the album Freedom of the Soul. She took the opportunity to honor her guitarist by inviting him to the front of the stage for an electrifying solo. She did the same with her flutist, who treated us to a lively dancehall number that was greatly appreciated by the audience. We would have benefited from more moments like this. In fact, the flute blended perfectly with the electric guitar effects in the song Shine. She even got the crowd singing along to this last song, a gamble that paid off handsomely.

The microphone had a minor technical issue in the middle of the concert, but fortunately, it only lasted a few seconds. This may be her first concert in Montreal, but I wouldn’t be surprised if she comes back very soon, now that her career has been relaunched after what I consider to be a too long pause.

Photo Credit: Mark Lachovsky

Publicité panam

Latest 360 Content

Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It

Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It

Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve

Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve

Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance

Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance

Steve Lacy – Oh yeah?

Steve Lacy – Oh yeah?

Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music

Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music

Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur

Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur

Yiddish Glory – The Silenced Songs of World War II

Yiddish Glory – The Silenced Songs of World War II

Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich

Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich

Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour

Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Kim Petras – Detour

Kim Petras – Detour

Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different

Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | The Two Enriches its Creole blues

Nuits d’Afrique 2026 | The Two Enriches its Creole blues

PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale

PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale

Real Farmer – Two Wrongs Don’t Make A Right

Real Farmer – Two Wrongs Don’t Make A Right

knitting, frown line, and Fireball Kid Tear Up Sala Rossa

knitting, frown line, and Fireball Kid Tear Up Sala Rossa

Nuits d’Afrique 2026 | Celebrate with Labess

Nuits d’Afrique 2026 | Celebrate with Labess

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré

Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré

Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies

Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers