More than a century after its premiere, Holst’s The Planets continues to hold a central place in the orchestral repertoire, and under the direction of François Choinière with L’Orchestre Philharmonique et Chœur des Mélomanes (OPCM), the work’s intricate textures and emotional breadth were rendered with clarity and purpose. The near-capacity audience at the Maison Symphonique reflected the enduring appeal of this monumental suite.
The performance unfolded with a keen attention to detail, capturing the distinct character of each movement. From the relentless, percussive energy of Mars to the ethereal, fading strains of Neptune, the orchestra demonstrated both technical precision and a deep understanding of Holst’s expansive vision. The audience’s enthusiastic applause after each movement underscored their connection to the music. Particularly notable was the rendition of Venus, which unfolded with a serene, lyrical quality that contrasted effectively with the surrounding movements. However, it was Neptune that left the most lasting impression. With the women’s chorus positioned strategically far above the audience, their disembodied voices gradually receded into silence, creating an otherworldly effect that lingered in the hall long after the final note. The collective stillness of the audience before the eruption of applause spoke volumes about the performance’s impact.
The second half of the program shifted gears with Karl Jenkins’ Gloria, a large-scale choral work that, while undeniably vibrant and rhythmically engaging, felt somewhat incongruous alongside the introspective and cosmic qualities of The Planets. Despite this programming contrast, the OPCM choir delivered a committed and polished performance, navigating the work’s dramatic shifts with precision and energy.
Choinière’s leadership remained a unifying force throughout the evening. His conducting was both expressive and controlled, balancing the score’s dynamic extremes with a clear sense of direction. His ability to draw out the orchestra’s full range of colors and textures was evident, particularly in the more delicate passages, where his nuanced approach allowed the music to breathe.
While the pairing of Holst and Jenkins may have highlighted differing musical sensibilities, the evening ultimately showcased the OPCM’s versatility and Choinière’s skill as a conductor capable of navigating both the monumental and the intimate with equal assurance.
