Neoclassical

Concert review classique/expérimental / contemporain/Classical

Semaine du Neuf | Quatuor Bozzini: A Journey into the Extremes of Sound

By Pietro Freiburger

Interview classique/Classical/Pop

A Winter Afternoon Dream at the Church of the Visitation

By Alain Brunet

Album review Americana/Folk/Soul/R&B/Classical/classique 2024

Best Albums of 2025: Cameron Winter – Heavy Metal

By Sami Rixhon

Album review Pop/Classical/classique/pop symphonique 2025

Best Albums of 2025: Rosalía – LUX

By Marilyn Bouchard

Album review Classical/classique 2025

Christian Bernard – Traverser l’orage

By Frédéric Cardin

Interview Electronic/Classical/classique

FIJM | Jean Michel Blais & Lara Somogyi: Fruits of The Desert

By Alain Brunet

Interview Pop/expérimental / contemporain/Classical/classique

Ambre Ciel, Peaceful Melodies Between Sky and Sea

By Marilyn Bouchard

Album review classique/Sacred Music/Latino/Classical/Pop 2025

Lido Pimienta – La Belleza

By Stephan Boissonneault

Album review Classical/classique/Pop 2025

Viviane Audet – Le piano et le torrent

By Marilyn Bouchard

Album review Classical/classique 2025

Ana Krstajić et Joey Reda – Confluence

By Frédéric Cardin

Album review Classical/classique/Piano 2024

Opus – Ryuichi Sakamoto (Top Albums 2024)

By Varun Swarup

Album review Classical/classique 2024

Thelonius Garcia – Marche nocturne

By Frédéric Cardin

Album review Classical/classique 2024

Trio Fibonacci – Max Richter Remixed

By Frédéric Cardin

Album review Jazz/Classical/classique 2024

Amélie Fortin – Aqualudes

By Frédéric Cardin

Album review Classical/classique 2024

Christian Bernard – Black Lotus

By Frédéric Cardin

Interview Electronic/Classical/classique

MUTEK 2024 | Film Scores for No One: a Patrick Watson Project

By Alain Brunet

Album review classique/Classical 2024

Catherine Major – La mémoire du corps

By Michel Labrecque

Album review Classical/classique 2024

Roman Zavada – Forêt pour deux pianos

By Frédéric Cardin

Album review Electronic/classique/Électro/Classical 2024

Simon Leoza – ACTE III

By Frédéric Cardin

Interview Experimental/expérimental / contemporain/Classical/classique/Piano

All Quiet On The Western Front Composer comes to Montreal as Hauschka

By Stephan Boissonneault

Album review Classical/classique 2023

Iceland Symphony Orchestra, Daniel Bjarnason – Johann Johannsson : A Prayer to the Dynamo

By Frédéric Cardin

Interview classique/Classical

Thomas Bangalter and symphonic writing for ballet… without helmet and without safety net

By Alain Brunet

Album review Classical/classique 2022

Catherine Major / Michel Tremblay – Albertine en cinq temps – l’opéra

By Frédéric Cardin

Album review expérimental / contemporain/Classical/classique 2022

Esmerine – Everything Was Forever Until It Was No More

By Varun Swarup