Experimental / Contemporary Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop / Experimental
What to watch Experimental / Contemporary/expérimental / contemporain
N Nao – Tout va bien
By Louise Jaunet
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2022
No Hay Banda – I Had A Dream About This Place
By Frédéric Cardin
Interview Pop/expérimental / contemporain/Singer-Songwriter
Coup de cœur francophone: SEULEMENT and his Architectural Music
By Jacob Langlois-Pelletier
Interview expérimental / contemporain/Rock/Psychedelia
POP Montreal: Tinkertoy Fog Machine is a Montreal DIY, Lo-Fi psych gem
By Stephan Boissonneault
What to watch expérimental / contemporain
SAMWOY debuts with the garage disco punk track “Sbwriel”
By Stephan Boissonneault
Album review expérimental / contemporain/Classical/classique 2022
Esmerine – Everything Was Forever Until It Was No More
By Varun Swarup
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2022
Kaitlyn Aurelia Smith – Let’s Turn It Into Sound
By Alain Brunet
Interview Electronic/Experimental / Contemporary/expérimental / contemporain
MUTEK 2022 / “SPILLOVER,” A MULTI-SENSORY EXPERIENCE BETWEEN NATURE AND HUMANITY
By Salima Bouaraour
Interview Experimental / Contemporary/expérimental / contemporain/Electronic
MUTEK 2022: Liliane Chlela on her electronic illustration of good versus evil
By Stephan Boissonneault
What to watch Experimental / Contemporary/expérimental / contemporain
Elizabete Balčus announces a new album and tour with “Narcissism Purgatory”
By Stephan Boissonneault
Concert review Africa/Folk/Americana/expérimental / contemporain/Electronic/Hip Hop/Rock/Experimental / Contemporary
Osheaga 2022: The Good, The Bad, and The Gleaming
By Stephan Boissonneault
What to watch expérimental / contemporain/Experimental / Contemporary/Rock/Folk/Americana
Staraya Derevnya – Tangled Hands (feat. Galya Chikiss)
By Luc Marchessault
Column Experimental / Contemporary/expérimental / contemporain/Electronic
Ifriqiyya Electrique or the kind of possession I can get behind
By Stephan Boissonneault
What to watch Electronic/expérimental / contemporain/Pop
Ben Shemie – The Mirror + The Future Indefinite
By Luc Marchessault
Album review Jazz/expérimental / contemporain/Rock 2022
JOYFULTALK – Familiar Science
By Clint Hoekstra
Interview expérimental / contemporain/Hip Hop/Folk/Americana/Rock
Daniel Monkman of Zoon discusses his latest EP and how it all ties in with the lies brought forth by the pharma industry
By Stephan Boissonneault
Album review expérimental / contemporain/Experimental / Contemporary/Sacred Music 2022
Medicine Singers – Medicine Singers
By Patrick Baillargeon
Album review expérimental / contemporain/Jazz/Hip Hop/Experimental / Contemporary/Soul/R&B 2022
Moor Mother – Jazz Codes
By Varun Swarup
Album review Experimental / Contemporary/expérimental / contemporain/Spoken Word 2022
Nick Cave – Seven Psalms
By Thomas Moultrie
Album review Rock/Pop/expérimental / contemporain 2022
Praises – In This Year: Hierophant
By Levi Gogerla
Interview Jazz/Electronic/expérimental / contemporain
Brandon Valdivia of Mas Aya on ‘raging against the machines,’ the Toronto experimental scene, and fostering a new wave of musicians in his house
By Stephan Boissonneault
Interview Pop/Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
The silence, it screams and it laughs, a conversation with Montreal’s Kee Avil
By Stephan Boissonneault
What to watch Experimental / Contemporary/expérimental / contemporain/Rock