Experimental / Contemporary Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop / Experimental
Interview Jazz/expérimental / contemporain/Experimental / Contemporary/Pop/Classical/classique
Bell Orchestre becomes immersive and interactive, House Music becomes Sound House at SAT
By Alain Brunet
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Traditional 2024
Ana Lua Caiano – Vou Ficar Neste Quadrado
By Patrice Caron
Interview Folk/Americana/Rock/Electronic/expérimental / contemporain
Phi Centre | Kee Avil plays the material of SPINE
By Alain Brunet
What to watch expérimental / contemporain/Ambient/Electronic/Rock
The Fleeting Light of Love and Grief – Terminal 9
By Louise Jaunet
What to watch Rock/Experimental / Contemporary/expérimental / contemporain/punk hardcore
Truck Violence – Undressed you layn’t before
By Stephan Boissonneault
Concert review Pop/Electronic/expérimental / contemporain/Middle Eastern
BORN TO LEAVE (REVISITED) at Centre Phi: Sophoclean electronic tragedy with a Lebanese flavour
By Salima Bouaraour
Album review Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
By Louise Jaunet
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review expérimental / contemporain/Rock/Jazz/Experimental / Contemporary
Montreal Anti Jazz Police Festival – Day 3
By Frédéric Cardin
Concert review Folk/Americana/Electronic/Classical/classique/expérimental / contemporain/Jazz/indie
Montreal Anti-Jazz Police Festival at URSA – Day 1
By Frédéric Cardin
Album review Pop/Rock/Experimental / Contemporary/expérimental / contemporain 2024
PREGOBLIN – PREGOBLIN II
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Hip Hop 2024
Kim Gordon – The Collective
By Patrick Baillargeon
Concert review Pop/Électro/Electronic/Experimental / Contemporary/expérimental / contemporain
Erika Angell: Everybody, in trance!
By Frédéric Cardin
Interview expérimental / contemporain/Experimental / Contemporary
Matana Roberts explores radically different musical settings
By Alain Brunet
Album review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain 2024
Maya Shenfeld – Under the Sun
By Alain Brunet
Album review Pop/Experimental / Contemporary/expérimental / contemporain 2024
Laetitia Sadier – Rooting for Love
By Varun Swarup
Interview Experimental / Contemporary/expérimental / contemporain/Classical/classique/Piano
All Quiet On The Western Front Composer comes to Montreal as Hauschka
By Stephan Boissonneault
Interview Pop/expérimental / contemporain/Singer-Songwriter
What a time to be alive! A conversation with Sarah Rossy
By Varun Swarup
Album review classique/Experimental / Contemporary/expérimental / contemporain/Traditional 2024
Nathalie Joachim – Ki Moun Ou Ye
By Michel Labrecque
Album review expérimental / contemporain/Jazz 2024
Ewart Asplund Ricks Trio – Emphatic Now
By Frédéric Cardin
Concert review expérimental / contemporain/Jazz/Experimental / Contemporary/Rock
Taverne Tour, Day 1: Yonatan Gat, planet guitar
By Alain Brunet
Concert review Rock/Experimental / Contemporary/expérimental / contemporain
Taverne Tour Day 1: Slash Need – For When You Want/Need to Let Loose
By Lyle Hendriks
Interview Pop/Experimental / Contemporary/expérimental / contemporain