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« expérimental / contemporain

Experimental / Contemporary Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop / Experimental

Bell Orchestre becomes immersive and interactive, House Music becomes Sound House at SAT
Interview Jazz/expérimental / contemporain/Experimental / Contemporary/Pop/Classical/classique

Bell Orchestre becomes immersive and interactive, House Music becomes Sound House at SAT

By Alain Brunet
Ana Lua Caiano – Vou Ficar Neste Quadrado
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Traditional 2024

Ana Lua Caiano – Vou Ficar Neste Quadrado

By Patrice Caron
Phi Centre | Kee Avil plays the material of SPINE
Interview Folk/Americana/Rock/Electronic/expérimental / contemporain

Phi Centre | Kee Avil plays the material of SPINE

By Alain Brunet
The Fleeting Light of Love and Grief – Terminal 9
What to watch expérimental / contemporain/Ambient/Electronic/Rock

The Fleeting Light of Love and Grief – Terminal 9

By Louise Jaunet
Truck Violence – Undressed you layn’t before
What to watch Rock/Experimental / Contemporary/expérimental / contemporain/punk hardcore

Truck Violence – Undressed you layn’t before

By Stephan Boissonneault
BORN TO LEAVE (REVISITED) at Centre Phi: Sophoclean electronic tragedy with a Lebanese flavour
Concert review Pop/Electronic/expérimental / contemporain/Middle Eastern

BORN TO LEAVE (REVISITED) at Centre Phi: Sophoclean electronic tragedy with a Lebanese flavour

By Salima Bouaraour
N NAO – Miroir
Album review Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024

N NAO – Miroir

By Louise Jaunet
Rachel Therrien – CAPI
Album review Jazz/expérimental / contemporain 2024

Rachel Therrien – CAPI

By Frédéric Cardin
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop

At Annie-Claude Deschênes’ table: between utensils & sound experimentation

By Louise Jaunet
Montreal Anti Jazz Police Festival – Day 3
Concert review expérimental / contemporain/Rock/Jazz/Experimental / Contemporary

Montreal Anti Jazz Police Festival – Day 3

By Frédéric Cardin
Montreal Anti-Jazz Police Festival at URSA – Day 1
Concert review Folk/Americana/Electronic/Classical/classique/expérimental / contemporain/Jazz/indie

Montreal Anti-Jazz Police Festival at URSA – Day 1

By Frédéric Cardin
PREGOBLIN – PREGOBLIN II
Album review Pop/Rock/Experimental / Contemporary/expérimental / contemporain 2024

PREGOBLIN – PREGOBLIN II

By Stephan Boissonneault
Kim Gordon – The Collective
Album review Experimental / Contemporary/expérimental / contemporain/Hip Hop 2024

Kim Gordon – The Collective

By Patrick Baillargeon
Erika Angell: Everybody, in trance!
Concert review Pop/Électro/Electronic/Experimental / Contemporary/expérimental / contemporain

Erika Angell: Everybody, in trance!

By Frédéric Cardin
Matana Roberts explores radically different musical settings
Interview expérimental / contemporain/Experimental / Contemporary

Matana Roberts explores radically different musical settings

By Alain Brunet
Maya Shenfeld – Under the Sun
Album review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain 2024

Maya Shenfeld – Under the Sun

By Alain Brunet
Laetitia Sadier – Rooting for Love
Album review Pop/Experimental / Contemporary/expérimental / contemporain 2024

Laetitia Sadier – Rooting for Love

By Varun Swarup
All Quiet On The Western Front Composer comes to Montreal as Hauschka
Interview Experimental / Contemporary/expérimental / contemporain/Classical/classique/Piano

All Quiet On The Western Front Composer comes to Montreal as Hauschka

By Stephan Boissonneault
What a time to be alive! A conversation with Sarah Rossy
Interview Pop/expérimental / contemporain/Singer-Songwriter

What a time to be alive! A conversation with Sarah Rossy

By Varun Swarup
Nathalie Joachim – Ki Moun Ou Ye
Album review classique/Experimental / Contemporary/expérimental / contemporain/Traditional 2024

Nathalie Joachim – Ki Moun Ou Ye

By Michel Labrecque
Ewart Asplund Ricks Trio – Emphatic Now
Album review expérimental / contemporain/Jazz 2024

Ewart Asplund Ricks Trio – Emphatic Now

By Frédéric Cardin
Taverne Tour, Day 1: Yonatan Gat, planet guitar
Concert review expérimental / contemporain/Jazz/Experimental / Contemporary/Rock

Taverne Tour, Day 1: Yonatan Gat, planet guitar

By Alain Brunet
Taverne Tour Day 1: Slash Need – For When You Want/Need to Let Loose
Concert review Rock/Experimental / Contemporary/expérimental / contemporain

Taverne Tour Day 1: Slash Need – For When You Want/Need to Let Loose

By Lyle Hendriks
Laurence-Anne: visit the endless labyrinth
Interview Pop/Experimental / Contemporary/expérimental / contemporain

Laurence-Anne: visit the endless labyrinth

By Louise Jaunet
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