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« Classical

Contemporary Creative Music

Dylan Ward – Tourmaline
Album review Classical/classique/Electronic 2022

Dylan Ward – Tourmaline

By Frédéric Cardin
Parisa Sabet – A Cup Of Sin
Album review Classical/classique 2022

Parisa Sabet – A Cup Of Sin

By Frédéric Cardin
Anna Prohaska/Isabelle Faust – Kurtag : Kafka Fragmente
Album review expérimental / contemporain/Classical/classique 2022

Anna Prohaska/Isabelle Faust – Kurtag : Kafka Fragmente

By Frédéric Cardin
Andrew Wan & Bryan Cheng with Ravel… in America
Interview classique/Classical

Andrew Wan & Bryan Cheng with Ravel… in America

By Alain Brunet
Joseph Petric – SEEN
Album review expérimental / contemporain/Classical/classique 2022

Joseph Petric – SEEN

By Frédéric Cardin
Richard Reed Parry / Susie Ibarra – Heart and Breath: Rhythm and Tone Fields (OFF AIR)
Album review Electronic/Classical/classique 2022

Richard Reed Parry / Susie Ibarra – Heart and Breath: Rhythm and Tone Fields (OFF AIR)

By Alain Brunet
Patricia Kopatchinskaja – Le monde selon George Antheil
Album review classique/Classical 2022

Patricia Kopatchinskaja – Le monde selon George Antheil

By Frédéric Cardin
Third Coast Percussion – Perspectives
Album review Classical/classique 2022

Third Coast Percussion – Perspectives

By Frédéric Cardin
The Indianapolis Quartet – Robert Paterson : String Quartets 1 – 3
Album review Classical/classique 2022

The Indianapolis Quartet – Robert Paterson : String Quartets 1 – 3

By Frédéric Cardin
Ben Shemie/Quatuor Molinari – Desiderata
Album review Rock/Classical/classique/Electronic 2022

Ben Shemie/Quatuor Molinari – Desiderata

By Frédéric Cardin
Architek – 6 Changes
Album review Electronic/Classical/classique/Jazz/Rock 2022

Architek – 6 Changes

By Frédéric Cardin
Collectif9 – Vagues et Ombres
Album review Classical/classique 2022

Collectif9 – Vagues et Ombres

By Frédéric Cardin
Yarilo Contemporary Music Society – Nikolaï Korndorff: The Smile of Maud Lewis
Album review Classical/classique 2022

Yarilo Contemporary Music Society – Nikolaï Korndorff: The Smile of Maud Lewis

By Frédéric Cardin
An Laurence – Almost Touching
Album review expérimental / contemporain/Classical/classique 2022

An Laurence – Almost Touching

By Frédéric Cardin
Florent Ghys – Mosaïques et Ritournelles
Album review Classical/classique/Electronic/Pop 2022

Florent Ghys – Mosaïques et Ritournelles

By Frédéric Cardin
FIMAV / Mary Halvorson on Amaryllis & Belladonna concert
Interview classique/Classical/Jazz/Experimental / Contemporary/expérimental / contemporain

FIMAV / Mary Halvorson on Amaryllis & Belladonna concert

By Alain Brunet
Electric Guitars Are Landing on Planet Happiness
Interview Classical/classique

Electric Guitars Are Landing on Planet Happiness

By Alain Brunet
Empty Vessels in Distress
Interview Classical/classique

Empty Vessels in Distress

By Louise Jaunet
Gunter Herbig – Arvo Pärt : Wherever I Go…
Album review Classical/classique 2022

Gunter Herbig – Arvo Pärt : Wherever I Go…

By Frédéric Cardin
Danny Holt – Piano Music of Mike Garson
Album review classique/Classical 2022

Danny Holt – Piano Music of Mike Garson

By Frédéric Cardin
George Perle – Solos and Duos
Album review Classical/classique 2022

George Perle – Solos and Duos

By Frédéric Cardin
Philip Chiu/Lara Deutsch – Night Light
Album review Classical/classique 2022

Philip Chiu/Lara Deutsch – Night Light

By Frédéric Cardin
Marina Thibeault – Viola Borealis
Album review Classical/classique 2022

Marina Thibeault – Viola Borealis

By Frédéric Cardin
The New Orford String Quartet at Centre Phi
Interview classique/Classical

The New Orford String Quartet at Centre Phi

By Alain Brunet
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