Contemporary Creative Music
Concert review Classical/classique
The tranquil and (too) discreet music of Missy Mazzoli
By Frédéric Cardin
Concert review Classical/classique
“In the Half-Light” – Barbara Hannigan with Orchestre symphonique de Montréal
By Varun Swarup
Album review Electronic/expérimental / contemporain/Classical/classique/indie 2024
India Gailey – Problematica
By Frédéric Cardin
Concert review expérimental / contemporain/classique/Classical
Bozzini Quartet : microtones, great music
By Frédéric Cardin
Concert review Classical/classique/expérimental / contemporain
SMCQ: Prana, breathing, “comprovisation”
By Alain Brunet
Album review Folk/Americana/expérimental / contemporain/Classical/classique 2024
Allison Burik – Realm
By Frédéric Cardin
Album review Classical/classique/Jazz 2023
PAN M 360 / TOP 100 : Lina Allemano – Canons
By Réjean Beaucage
Album review Classical/classique 2023
Quatuor Molinari – Philip Glass : Complete String Quartets, Nos. 5-7, Volume 2
By Elena Mandolini
Concert review Classical/classique
SMCQ | À la croisée des pianos 2 : Contrasts and Classics of the Contemporary Repertoire in the Spotlight
By Elena Mandolini
Concert review Classical/classique
SMCQ | À la croisée des pianos 1 : Moritz Ernst and Sandeep Bhagwati’s Literary Musical Universe
By Elena Mandolini
Album review classique/Classical 2023
Andrew Balfour / Luminous Voices – Ispiciwin
By Frédéric Cardin
Interview classique/Classical
Le Vivier | Paramirabo + Ensemble Variances: Thierry Pécou and a Chance Encounter That Bears Fruit
By Elena Mandolini
Album review Classical/classique 2023
Constantine Caravassilis – From Sappho’s Lyre
By Frédéric Cardin
Album review Classical/classique 2023