Contemporary Creative Music
Interview Classical/classique/expérimental / contemporain/Rock
FIMAV | Sleepytime Gorilla Museum, the museum of tremors
By Alain Brunet
Album review Classical/classique 2025
Dalit Hadass Warshaw, Boston Modern Orchestra Project / Gil Rose – Sirens
By Réjean Beaucage
Album review Classical/classique 2025
Quatuor Diotima – Boulez : Livre pour quatuor
By Frédéric Cardin
Album review Classical/classique 2025
Jack Van Zandt – A Chaos of Light and Motion
By Frédéric Cardin
Album review Classical/classique 2025
Spółdzielnia Muzyczna Contemporary Ensemble / Zygmunt Krauze – Konteksty
By Réjean Beaucage
Concert review expérimental / contemporain/Classical/classique
Le Vivier: many skills, few surprises
By Frédéric Cardin
Interview classique/Classical
Quatuor Molinari and Berio, in the words of Olga Ranzenhofer
By Alain Brunet
Concert review Classical/classique
Nouvel Ensemble Moderne | New Songs for a New Era
By Judith Hamel
Concert review Classical/classique
Steve Reich’s quartets at Bourgie Hall : a perfectly oiled minimalist mechanism
By Frédéric Cardin
Album review Classical/classique/Électronique 2025
Molécule/Orchestre national de Lille; Alexandre Bloch, dir. – Symphonie no 1 ‘’quantique’’
By Frédéric Cardin
Album review Classical/classique 2025
BBC Symphony Orchestra/Timothy Redmont, dir. – Beyond
By Frédéric Cardin
Album review Classical/classique 2025
ContaQt/Yaz Lancaster/Evan Ziporyn – ConneQt IV
By Frédéric Cardin
Interview Contemporary/Classical/classique
OSM | Genesis in Yoruba, Philip Glass and Angélique Kidjo style
By Alain Brunet
Album review Classical/classique/expérimental / contemporain 2025
Nour Symon – je suis calme et enragé•e
By Frédéric Cardin
Album review Classical/classique 2025
Quatuor Molinari – Berio: Complete String Quartets
By Frédéric Cardin
Album review Classical/classique 2025
Robert Uchida; Philip Chiu – I Can Finally Feel the Sun
By Frédéric Cardin
Concert review Pop/Classical/classique