Contemporary Creative Music
Interview classique/Classical/Jazz/Indigenous peoples
Oktoecho | New Album, New Season of Crossbreeding with The Far North
By Alain Brunet
Interview expérimental / contemporain/Classical/classique
Molinari Quartet/Scelsi : the drop that overflows the music
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2024
Quatuor Molinari – Scelsi : Complete Quartets/String Trio
By Frédéric Cardin
Concert review Classical/classique/Jazz
L’OFF jazz | Formanek + Raegele encounter in MTL
By Vitta Morales
Concert review Classical/classique/Jazz
L’OFF jazz | To Be Familiar With Drome Trio
By Vitta Morales
Concert review Classical/classique/Experimental / Contemporary/expérimental / contemporain/Americana
FLUX | Lori Goldston’s intense and intimate cello
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2024
Andile Khumalo – Tracing Hollow Traces
By Frédéric Cardin
Interview Contemporary/Classical/classique
FLUX | Wadada Leo Smith, One of Creative Music’s Most Prolific
By Alain Brunet
Interview Classical/classique
Molinari Quartet, 9th International Composition Competition: Finalists Performed in Concert
By Alain Brunet
Album review Classical/classique/Électronique 2024
David Merrill – Golden Oranges of Mars
By Frédéric Cardin
Album review Classical/classique/Jazz 2024
Denman Maroney Quintet – The Air-Conditioned Nightmare
By Frédéric Cardin
Concert review Classical/classique/Electronic/Experimental / Contemporary/expérimental / contemporain/jungle
MUTEK 2024 | Kode9, One Hour With a Master
By Alain Brunet
Concert review Classical/classique/Electronic/Experimental / Contemporary/expérimental / contemporain
MUTEK 2024 | After The Pole Position…
By Alain Brunet
Album review Classical/classique 2024
Newfoundland Symphony Orchestra Sinfonia/Mark Fewer – Alikeness
By Frédéric Cardin
Concert review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain