Avant-Garde
Album review expérimental / contemporain/classique/Classical 2026
Allison Cameron/Scott Thomson – Platanus
By Frédéric Cardin
Album review expérimental / contemporain 2026
Joseph Branciforte & Jozef Dumoulin – Iterae
By Frédéric Cardin
Album review expérimental / contemporain/Jazz 2026
Simon Côté-Lapointe et Magella Cormier – Singularités
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Semaine du Neuf | A Different Perspective on Music with Contrechamps and Architek Percussions
By Frédéric Cardin
Album review expérimental / contemporain/Experimental / Contemporary 2026
Karen Ng – Backwards Blue
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2026
Toninato & Thiessen – Dream of Heat
By Frédéric Cardin
Album review expérimental / contemporain 2025
No Hay Banda – Zihua Tan: what came before me is going after me
By Frédéric Cardin
Interview expérimental / contemporain
Gordon Grdina and Ghalia Benali create RU’YA: an avant-garde vision of the oud and the voice
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
The Montreal-based ensemble No Hay Banda wins the Ernst von Siemens Prize
By Frédéric Cardin
Album review expérimental / contemporain 2025
Friendly Rich – The Birds of Marsville
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2025
Agnostic Luddites – Music for Physically Modeled Piano
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique
Shared listening room with Quasar – saxophone quartet and Trio Zukan
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2025
Adrianne Munden-Dixon – Vision Mantra
By Frédéric Cardin
Interview expérimental / contemporain
Discover Code d’Accès, a catalyst for next gen in avant-garde music
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique/Jazz
Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique
Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism
By Frédéric Cardin
Album review expérimental / contemporain/Rock/Pop 2025
Deerhoof – Noble and Godlike in Ruin
By Stephan Boissonneault
Album review expérimental / contemporain/Experimental / Contemporary/Rock 2025
stef.in – Icterus II
By Frédéric Cardin
Album review expérimental / contemporain 2025
No Hay Banda – Steven Kazuo Takasugi : Il Teatro Rosso
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique
Le Vivier: many skills, few surprises
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
M / NM | The multiple voices of Corie Rose Soumah
By Frédéric Cardin
Interview expérimental / contemporain