Afro-Electro
Concert review Africa/afro-pop/Jazz
POP Montréal | SAM.IITO, A Promising New Cycle
By Michel Labrecque
Interview Africa/afro-pop/Electronic
POP Montréal | Samito brings us new material on the theme of shame
By Michel Labrecque
Concert review Caribbean/Africa/Electronic/Jazz/Neo-soul
MUTEK 2024 | Glowzicombo, The Start of An Exciting Adventure
By Alain Brunet
Concert review Africa/Caribbean
PAN M 360 at Nuits d’Afrique 2024 | Listening to Club Sagacité
By Alain Brunet
Interview Africa/afrosoul
PAN M 360 at Nuits d’Afrique | Club Sagacité at the Festival, San Farafina explains
By Alain Brunet
Interview Africa/Jazz
Nuits d’Afrique 2024 | A Chat With Ibibio Sound Machine Frontwoman Eno Williams
By Alain Brunet
Album review Africa/hip-hop alternatif/Soul/R&B 2023
PAN M 360 / TOP 100 : Scaring The Hoes – JPEGMAFIA & Danny Brown
By CCJ Gabriel
Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia 2022
PAN M 360’s Top 100 Albums of 2022 (Part 1)
By Rédaction PAN M 360
Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia 2022
PAN M 360’s Top 100 Albums of 2022 (Part 2)
By Rédaction PAN M 360
Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia/Reggae 2022
PAN M 360’s Top 100 Albums of 2022 (Part 3)
By Rédaction PAN M 360
Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia 2022
PAN M 360’s Top 100 Albums of 2022 (Part 4)
By Rédaction PAN M 360
Concert review Africa/Folk/Americana/expérimental / contemporain/Electronic/Hip Hop/Rock/Experimental / Contemporary
Osheaga 2022: The Good, The Bad, and The Gleaming
By Stephan Boissonneault
Column Africa/Caribbean/Electronic/Maloya/Traditional
The first night of Nuits d’Afrique goes off with a bang
By Stephan Boissonneault
Album review Africa/Electronic/Middle Eastern/Pop 2021
Péroké – Tropism Animalis
By Rupert Bottenberg
Album review Africa/Electronic/Jazz 2021