Afro-Electro

Interview Africa

Afrotronix: deciphering the African KÖD

By Frédéric Cardin

Interview Africa

MUZ | Kizaba will set the stage alight to close the 15th edition

By Keithy Antoine

Concert review Africa/Electronic/expérimental / contemporain

MUTEK | Slikback: Digital Frenzy in Black Africa

By Alain Brunet

Concert review Africa/Electronic/Hip Hop/Jazz

MUTEK | Roaming, The Art of Bringing People Together According to Gayance

By Marc-Antoine Bernier

Concert review latino/Africa/Electronic

Nuits d’Afrique | KillaBeatMaker, Colombian Consciousness and Dynamism

By Alain Brunet

Concert review Africa/Chanson francophone

Francos | SAT on Fire for Theodora, Soon To Be Megastar

By Alain Brunet

Interview Africa

Kizaba: Between Ancestrality and Afro-Futurism

By Sandra Gasana

Interview Africa/Hip Hop/Jazz/Jazz Pop/Pop

Manu Katché: Star drummer, star communicator

By Alain Brunet

Concert review Africa/Jazz

POP Montréal | SAM.IITO, A Promising New Cycle

By Michel Labrecque

Interview Africa/Electronic

POP Montréal | Samito brings us new material on the theme of shame

By Michel Labrecque

Concert review Caribbean/Africa/Electronic/Jazz/Soul/R&B

MUTEK 2024 | Glowzicombo, The Start of An Exciting Adventure

By Alain Brunet

Concert review Africa/Caribbean

PAN M 360 at Nuits d’Afrique 2024 | Listening to Club Sagacité

By Alain Brunet

Interview Africa

PAN M 360 at Nuits d’Afrique | Club Sagacité at the Festival, San Farafina explains

By Alain Brunet

Interview Africa/Jazz

Nuits d’Afrique 2024 | A Chat With Ibibio Sound Machine Frontwoman Eno Williams

By Alain Brunet

Album review Africa/rap 2023

PAN M 360 / TOP 100 : Sho Madjozi – Chalé

By Salima Bouaraour

Album review Africa/Hip Hop/Soul/R&B 2023

PAN M 360 / TOP 100 : Scaring The Hoes – JPEGMAFIA & Danny Brown

By CCJ Gabriel

Album review Africa/Electronic/Soul/R&B 2023

Kelela – Raven

By Alain Brunet

Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia 2022

PAN M 360’s Top 100 Albums of 2022 (Part 1)

By Rédaction PAN M 360

Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia 2022

PAN M 360’s Top 100 Albums of 2022 (Part 2)

By Rédaction PAN M 360

Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia/Reggae 2022

PAN M 360’s Top 100 Albums of 2022 (Part 3)

By Rédaction PAN M 360

Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia 2022

PAN M 360’s Top 100 Albums of 2022 (Part 4)

By Rédaction PAN M 360

Concert review Africa/Folk/Americana/expérimental / contemporain/Electronic/Hip Hop/Rock/Experimental / Contemporary

Osheaga 2022: The Good, The Bad, and The Gleaming

By Stephan Boissonneault

Column Africa/Caribbean/Electronic/Indian Ocean/Traditional

The first night of Nuits d’Afrique goes off with a bang

By Stephan Boissonneault

Album review Africa/Electronic/Moyen-Orient / Levant / Maghreb/Pop 2021

Péroké – Tropism Animalis

By Rupert Bottenberg