Listings 360

Full listings 360
  • No results

Suoni Per Il Popolo : Maria Chavez + SlowPitchSound + Mat Ball

Mon 05 Jun 2023 • 09:00 pm Experimental / Contemporary
La Sala Rossa - Montréal 23,08$
· by Rédaction PAN M 360

​​Maria Chavez, pionnière du turntablism abstrait, présentera sa pratique de l’improvisation avec une seule table tournante, en incorporant des aiguilles cassées et des sons non musicaux. Chavez ne se contente pas de jouer ; elle brise et gratte des disques et s’adonne à toutes sortes de pitreries, faisant de la performance une présence égale à celle de la musique. SlowPitchSound, un compositeur basé à Toronto, présentera son style de production musicale caractéristique, mêlant le turntablism, la manipulation d’échantillons et les enregistrements de terrain pour créer des paysages sonores inspirés de la science-fiction. SlowPitchSound crée dans l’esprit de l’afrofuturisme, et ses sons apaiseront et déstabiliseront d’un seul coup. Le guitariste montréalais Mat Ball contribuera à la cause de l’expérimentation sonore avec sa performance solo, mettant en valeur son équilibre raffiné de sons massifs et fragiles. Mat Ball adopte une approche conceptuelle de ses performances dans lesquelles il “joue la pièce”, cherchant constamment à rendre les environnements dans lesquels il se produit aussi résonnants qu’un instrument possible. Ensemble, ces artistes promettent une soirée d’exploration sonore immersive, chacun d’entre eux s’investissant autant dans l’instrument-qu’est-la-pièce que dans leurs faiseurs-de-bruit.

Maria Chavez, pioneer of abstract turntablism, will present her practice of improvisation with a single turntable, incorporating broken hands and non-musical sounds. Chavez doesn’t just play; she breaks and scratches records and indulges in all manner of antics, making the performance a presence equal to that of the music. Toronto-based composer SlowPitchSound will present his signature style of music production, blending turntablism, sample manipulation and field recordings to create sci-fi inspired soundscapes. SlowPitchSound creates in the spirit of Afrofuturism, and its sounds will soothe and unsettle all at once. Montreal guitarist Mat Ball will contribute to the cause of sonic experimentation with his solo performance, showcasing his refined balance of massive and fragile sounds. Mat Ball takes a conceptual approach to his performances in which he “plays the part”, constantly seeking to make the environments in which he performs as resonant as a possible instrument. Together, these artists promise an evening of immersive sound exploration, with each of them investing as much in the instrument-that-is-the-piece as in their noise-makers.

POUR ACHETER VOTRE BILLET, C’EST ICI!

Ce contenu provient de Suoni Per Il Popolo et est adapté par PAN M 360.

Latest 360 Content

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Music for a Crowded Elevator 

FIJM 2026 | Music for a Crowded Elevator 

FIJM 2026 I “Modes of Coltrane” in the Rain

FIJM 2026 I “Modes of Coltrane” in the Rain

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood

FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood

FIJM 2026 | BEATrio: A Deluge of Warm Notes

FIJM 2026 | BEATrio: A Deluge of Warm Notes

FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?

FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?

FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 | Elena Pinderhughes, a fine debut

FIJM 2026 | Elena Pinderhughes, a fine debut

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night

Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night

FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks

FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks

FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 2

FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 2

FIJM 2026 | Ostara, femmes de jazz

FIJM 2026 | Ostara, femmes de jazz

FIJM 2026 | Keyon Harrold, Miles and him

FIJM 2026 | Keyon Harrold, Miles and him

Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)

Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)

FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy

FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers