Listings 360

Full listings 360
  • No results

Semaine du Neuf: Sturm Und Klang

Sat 16 Mar 2024 • 07:30 pm Electroacoustic
SALLE MULTIMÉDIA (MMR) DE L’ÉCOLE DE MUSIQUE SCHULICH DE L’UNIVERSITÉ MCGILL - Montréal À partir de 20$
· by Rédaction PAN M 360

This concert features a transatlantic dialogue between European and North American composers presenting pieces with acoustic, electronic and visual elements.

Canadian composer James O’Callaghan (QC) uses live electronics to expand the special soundscape, while Lorenzo Troiani (IT) uses Lo-Fi electronics to act as his own instrument within the ensemble. Lisa R. Coons (US) and Nour Symon (QC) both work with visual elements visible to both audience and ensemble to present a live score. Tanja Brüggemann (AT) shapes her experiences during Hurricane Fiona in Canada into her new piece, and Pedro Berardinelli (PT) stands out in this program as the only purely acoustic composition.

Ce concert met en scène un dialogue transatlantique entre des compositeurs européens et nord-américains présentant des pièces avec des éléments acoustiques, électroniques et visuels.

Le compositeur canadien James O’Callaghan (QC) utilise l’électronique en direct pour élargir le paysage sonore spécial, tandis que Lorenzo Troiani (IT) utilise une électronique Lo-Fi pour agir comme son propre instrument au sein de l’ensemble. Lisa R. Coons (US) et Nour Symon (QC) travaillent tous deux avec des éléments visuels visibles tant pour le public que pour l’ensemble afin de présenter une partition en direct. Tanja Brüggemann (AT) façonne ses expériences pendant l’ouragan Fiona au Canada dans sa nouvelle pièce, et Pedro Berardinelli (PT) se distingue dans ce programme en tant que seule composition purement acoustique.

TO BUY YOUR TICKET, CLICK HERE!

This content comes from Le Vivier and is adapted by PAN M 360.

Latest 360 Content

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers