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L’Off Jazz présente Charbonneau ou les valeurs à’ bonne place

Thu 06 Oct 2022 • 08:00 pm Jazz
Cabaret Lion d’Or - Montréal 22$
· by Rédaction PAN M 360

Une célébration des 10 ans de la commission Charbonneau avec Hugo Blouin et son orchestre sous la forme d’un spectacle qui fait rire et réfléchir.

Sur scène, quatre voix épatantes et un ratoureux quintette font devoir de mémoire dans une rocambolesque aventure musicale avec projections vidéo.

Ils chantent le jazz tordu de Charbonneau ou les valeurs à’ bonne place, Volume 2, paru en février 2022.

Composées à partir des archives du fameux téléroman politique, leurs chansons dressent un portrait de société aussi dérangeant qu’amusant, un travail amorcé avec le Volume 1, lauréat du prix GAMIQ 2018 d’Album jazz de l’année et du prix OPUS 2019 du Concert jazz de l’année.

Hugo Blouin s’intéresse particulièrement au son de la langue parlée et à aux archives à connotation sociale; il repique des sons concrets pour composer ses chansons.

Hugo Blouin and his orchestra celebrate the 10 th anniversary of the Charbonneau inquiry commission with a new jazz extravaganza that will get you both laughing and thinking.

On stage, four fantastic singers and a crafty quintet exercise their duty of memory in a unique, funny and relevant musical adventure with video clips. They sing the twisted new jazz of “Charbonneau ou les valeurs à’ bonne place, volume 2”, launched in February 2022 with Multiple Chord Music (Montreal) and Recommended Records (UK).

Rising from the archives of the famous political soap opera, their songs paint a disturbing, yet amusing portrait of Quebec society, initiated with “Volume 1”, winner of the 2018 GAMIQ Jazz Album of the Year Award and the 2019 OPUS Jazz Concert of the Year Award. Everything is covered, from Rambo’s remorse to the anxious whistleblowers, not to forget the absurd quotes that made everybody smile.

Does it mean bateau?

Montrealer Hugo Blouin loves the music of concrete sounds and writes songs from their transcription. His main focus is the sound of the spoken word and archives of social importance. As a bassist, he plays with the band L’abîme, with the Christine Tassan Quintet and with poet Veronique Bachand in “Avec le rire de ma grand-mère”. In the last 15 years, he toured in North America and Europe, and collaborated to 30 albums as performer, composer or producer.

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Ce contenu provient de l’off jazz et est adapté par PAN M 360.

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