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Festival international de musique actuelle de Victoriaville : Nina Garcia et Arnaud Rivière

Sun 21 May 2023 • 05:00 pm Experimental / Contemporary / Noise
Centre des Congrès - Victoriaville 28$
· by Rédaction PAN M 360

La musique bruitiste, c’est un peu comme un trou normand pour l’oreille : ça fait de la place dans le cerveau et ça recalibre les tympans. Si, en plus, cette musique est improvisée avec intelligence, humour et du cœur au ventre, l’expérience devient à la fois divertissante et transcendante. Or, voilà les deux mots les plus utiles pour décrire la musique du duo français « Autoreverse ».

NINA GARCIA, la jeune trentaine, se produit en solo sous le nom de Mariachi; elle est aussi membre du groupe Mamiedaragon. Son approche, qui semble s’inspirer à la fois du punk et de Sonic Youth, consiste à maltraiter les cordes de sa guitare d’une multitude de manières créatives tout en prêtant une oreille très attentive à son partenaire.

ARNAUD RIVIÈRE, qui compte environ 25 ans de métier dans l’art du bruit, a joué avec toute l’avant-garde française et une bonne partie de la scène bruitiste internationale. Il utilise un dispositif électroacoustique rudimentaire (platine, tiges, ressorts, micros contacts) dont il tire un univers sonore frénétique et fascinant.

Noise music is like a trou normand—a palate cleanser—for the ears: it makes room in one’s brain and recalibrates one’s eardrums. When noise music is improvised with intelligence, humour and heart, the experience becomes entertaining and transcendent. And those two words are the most useful when describing the music of the French duo « Autoreverse ».

NINA GARCIA, in her early thirties, is performing as a solo act under the moniker Mariachi, and she also plays in the band Mamiedaragon. Her approach, seemingly inspired by punk rock and Sonic Youth, consists in mistreating her guitar strings in countless creative ways while keeping a keen ear on what is going on around her.

ARNAUD RIVIÈRE has a quarter of a century of experience in the art of making noise. He has played with the whole spectrum of the French avant-garde and collaborated with most of the international noise music scene. He draws a frenetic and fascinating sound world from a rudimentary electroacoustic setup consisting of a turntable, metal rods and springs, and contact mics.

POUR ACHETER VOTRE BILLET, C’EST ICI!

Ce contenu provient du Festival international de musique actuelle de Victoriaville et est adapté par PAN M 360.

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