Is America’s dream factory in flames? It’s a question once asked of the hometown of Emeric Levardon, the Parisian mastermind behind the monumental kitsch of Hollywood Burns. His First Contact EP of 2016 introduced the world to his sinister, cinematic synthwave, but it was the first album, 2018’s Invaders, that truly revealed the bewildering scale of the thing. If Hollywood is indeed burning, a glorious conflagration of combusting cellulose nitrate wreathed in smoke speckled with flakes of silver halide, the cataclysmic spectacle finds its auditory dimension in Levardon’s music. The Age of the Saucers is again an evocation of the sheer power a film score can wield, drawing on decades of inspiration–the art deco covers of the two Hollywood Burns albums confirm a classical foundation, and a penchant for the motion-picture medium’s fantastical, illusory possibilities. This, Levardon supplements and fortifies with ample doses of pompous power disco, unholy hair metal and snarling electro-punk. It’s a formula for music of extreme force and relentless momentum, necessitating breathers such as the 90-second “Moment of Bliss”. And as soundtrack music, it’s an instrumental affair—aside from the eerily insistent robotic refrain of the Daft Punkian “Saturday Night Screamer”, the only track with vocals is the penultimate track “Skylords”, an addition of questionable merit.
Tout le contenu 360
Interview Pop/Eastern European
Nastasia Y, her ukrainian culture infused with Canada
Par Alain Brunet
Critique de concert Pop/Electronic/expérimental / contemporain/Middle Eastern
BORN TO LEAVE (REVISITED) at Centre Phi: Sophoclean electronic tragedy with a Lebanese flavour
Par Salima Bouaraour
Interview classique
CMIM: Shira Gilbert and Zarin Mehta talk about Piano 2024 edition
Par Alexandre Villemaire
Interview classique
Before the CMIM kicks off, Chantal Poulin talks to us about the Piano 2024 edition.
Par Alexandre Villemaire
Critique d'album Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
Par Louise Jaunet
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
Par Stephan Boissonneault
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
Par Frédéric Cardin
Critique d'album Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
Par Stephan Boissonneault
Critique d'album Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
Par Alain Brunet
Critique d'album classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
Par Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
Par Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
Par Louise Jaunet
Critique de concert Folk/Americana
Noah Kahan: An Emotive Performance with Goofy Banter
Par Serena Yang
Critique de concert