The keen-eyed spotted Annie Clark, alias St. Vincent, on stage alongside Sufjan Stevens well before her quiet takeoff as a solo artist with the opuses Marry Me and Actor. A guitar heroine in the purest sense of the phrase, a gifted singer, lyricist and composer, an inspired and innovative arranger, capable of complexity and virtuosity, and a magnetic beauty in front of an audience, she really made her mark with her third solo album, Strange Mercy. All the pieces of her brilliant puzzle were finally assembled, and she became an essential part of rock and pop culture, which she remains to this day.
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Interview classique
CMIM: Shira Gilbert and Zarin Mehta talk about Piano 2024 edition
Par Alexandre Villemaire
Interview classique
Before the CMIM kicks off, Chantal Poulin talks to us about the Piano 2024 edition.
Par Alexandre Villemaire
Critique d'album Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
Par Louise Jaunet
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
Par Stephan Boissonneault
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
Par Frédéric Cardin
Critique d'album Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
Par Stephan Boissonneault
Critique d'album Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
Par Alain Brunet
Critique d'album classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
Par Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
Par Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
Par Louise Jaunet
Critique de concert Folk/Americana
Noah Kahan: An Emotive Performance with Goofy Banter
Par Serena Yang
Critique de concert
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
Par Elena Mandolini
Interview classique/Jazz/Classical