Diane Tell’s most recent songs pursue the objective of the Japanese haiku, short poems about the evanescence of things. In this case, the singer is making observations about the insidious decline of human feelings, or even their programmed obsolescence. Written by Tell and also Fred Fortin, Slobodan Despot and Alain Dessureault, these texts are carried by high-quality jazzo-prog-rock-folk-pop music, performed by a high-flying staff — Fortin, François Lafontaine, Samuel Joly, Joe Grass and Olivier Langevin. Undoubtedly one of the most inspired episodes of a long and successful career.
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Critique d'album Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
Par Louise Jaunet
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
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Interview Classical/classique
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Par Frédéric Cardin
Critique d'album Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
Par Stephan Boissonneault
Critique d'album Americana/Pop
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Critique d'album classique/musique traditionnelle/Classical/trad québécois 2024
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Interview Folk/Americana/Rock/hyperpop
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Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
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Critique de concert Folk/Americana
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Critique de concert
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Interview classique/Jazz/Classical
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Critique d'album classique/Jazz 2024
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Critique d'album Classical/classique 2024
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Interview Rock/Electronic/Pop/Jazz
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Par Alain Brunet
Critique de concert