Japan’s world-renowned noise master Merzbow teams up with his compatriots in Boris, a power trio (guitar, bass, drums, vocals) founded in 1992 and extremely prolific (approaching 30 albums!), known and appreciated for their mix of psychedelic rock, doom metal, and noise. Get ready to surf a doom wave! The sounds suggested here are arranged horizontally, gliding under stormy or even tempestuous skies, sailing on tumultuous waters. Very skillfully, the pilots confront the disturbances without ever being forced to crash or bail out, quite the contrary! A malicious pleasure is taken in crossing this hurricane, punctuated by a few patches of respite. This thunderous work distinguishes itself by the strong link between the sounds produced by Merzbow – extreme distortion, feedback effects, synthesizers adapted to the concept, oscillators and other home-made gizmos. Here the song forms are deconstructed with great mass strokes, in sound blocks lasting up to 13 minutes. The tempos are mostly slow or medium, the heaviness is at its maximum tolerability. It’s nevertheless formidable from start to finish! A convincing example of ambient violence produced by experienced creators who have devoted their entire lives to it. However, a warning is issues to sensitive ears and delicate hairstyles: you have to really appreciate the use of sonic jolts to appreciate this aesthetic, and enjoy coming out of it in really bad shape. We certainly did!
Latest 360 Content
Concert review expérimental / contemporain/Soul/R&B/Hip Hop
SUONI | Kalmunity: STARS SHINE DARKLY in a night of powerful words, words of love and raging roars, healing grooves and dissent manners
By Z Neto Vinheiras
Concert review expérimental / contemporain/Classical/classique/Jazz
Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique
Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism
By Frédéric Cardin
Interview Jazz
Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita
By Alain Brunet
Concert review classique
Montreal Chamber Music Festival | But it was a nice concert…
By Frédéric Cardin
Concert review Classical/classique
Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi
By Frédéric Cardin
Concert review expérimental / contemporain
Suoni | Contemporary Improvisation, Latin American Discovery
By Alain Brunet
Concert review Chanson francophone/Pop
Francos | The Candor and Kindness of Aliosha Schneider
By Marilyn Bouchard
Concert review Hip Hop/rap/Hip Hop
Francos | Back in Time With Saïan Supa Celebration
By Sandra Gasana
Interview Classical/classique
Festival d’art vocal de Montréal | What’s On July 2-27 at Salle Claude-Champagne?
By Alain Brunet
Interview Electronic/Moyen-Orient / Levant / Maghreb
Piknik Elektronic | Nadim Maghzal, Laylit Co-Founder : MTL Middle East Arabic Electronic Refinement, Pleasure, Fun!
By Loic Minty
Concert review Electronic/classique/Arabic/expérimental / contemporain/Rock
Suoni | Sanam, Beirut’s Eloquence on The Brink of Danger
By Alain Brunet
Concert review Jazz/Electronic/expérimental / contemporain/Soul/R&B
Suoni | Watch that ends the night records Quinton Barnes + Jason Doell & Naomi McCarroll-Butler + Liam Cole + Alex “Bad Baby” Lukashevsky
By Z Neto Vinheiras
Concert review Electronic/expérimental / contemporain/Musical Theatre
Suoni | My Thursday at the Suoni: Alex Lukashevsky, Cabaret Noir…
By Félicité Couëlle-Brunet
Interview classique/Classical/Eastern European/latino/Traditional/Musique traditionnelle mongole (khöömii)
My musical garage: interview with Ziya Tabassian for the 11th edition of Garage Concerts
By Frédéric Cardin
Concert review expérimental / contemporain