This is the second Stone Temple Pilots album with singer Jeff Gutt, who replaced Chester Bennington (who died in 2017), who himself had replaced Scott Weiland (fired from the band in 2013, and died two years later). Gutt’s voice bears an uncanny resemblance to Weiland’s, which won’t displease longstanding fans of the California-based alternative rock band. It should be remembered that two decades ago, Stone Temple Pilots delivered the grunge monument Core (1992), which included the ubiquitous hit “Plush”. Perdida is a Spanish word meaning “lost”. It seems that it’s also the best term to describe the reaction of some fans to this all-acoustic album, made up of ten new songs. In fact, this rather folk-isheighth studio offering is not bad. It’s pretty and cleverly crafted. Arrangements for violin, cello, saxophone, guitar and flute adorn the tunes here, which is simply light years away from previous productions. Perdida isn’t great, for all that. Halfway through this melancholy spread, you can sense that the guys have run out of juice. Jeff Gutt sings well, but he doesn’t bring anything singular to this project, so that Stone Temple Pilots might claim with full confidence to have found an alternative to the grunge-rock ambiences of “Creep”, “Vasoline” or “Interstate Love Song”, sung at the time by Weiland. Of course, some people want nothing to do with comparisons to the late Weiland. Especially the band members. Yet it’s hard to do otherwise. One thing’s for sure, the band deserves a star for its boldness. Maybe it’s also a message to their fans: in 2020, these guys are somewhere else.
Tout le contenu 360
Interview classique
CMIM: Shira Gilbert and Zarin Mehta talk about Piano 2024 edition
Par Alexandre Villemaire
Interview classique
Before the CMIM kicks off, Chantal Poulin talks to us about the Piano 2024 edition.
Par Alexandre Villemaire
Critique d'album Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
Par Louise Jaunet
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
Par Stephan Boissonneault
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
Par Frédéric Cardin
Critique d'album Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
Par Stephan Boissonneault
Critique d'album Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
Par Alain Brunet
Critique d'album classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
Par Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
Par Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
Par Louise Jaunet
Critique de concert Folk/Americana
Noah Kahan: An Emotive Performance with Goofy Banter
Par Serena Yang
Critique de concert
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
Par Elena Mandolini
Interview classique/Jazz/Classical