TAVERNE TOUR I Motherhood is a cacophonus explosion of sounds

by Amir Bakarov

Motherhood took the stage with a whirlwind of experimental energy, celebrating their new album release, Thunder Perfect Mind, with a set that was as unpredictable as it was thrilling. Hailing from Fredericton, New Brunswick, this three-piece outfit has been honing its craft for a solid decade, and its seasoned stage presence was evident from the first note. Despite their small lineup, their sound felt massive, layered with guitar, synth, and a seemingly endless array of pedals. The result was a spacey, math-rock-inflected journey with jolting rhythms and a wry new wave edge reminiscent of early Talking Heads.

Musically, Motherhood flitted between funky grooves and angular breakdowns, embracing off-kilter time signatures and jumpy drum patterns. Their melodies—while often simple and catchy—were interjected with abrupt changes that kept the audience on high alert. One moment, you’d find yourself bobbing along to a buoyant riff, and the next, they’d swerve into a cacophonous explosion of sound. While this approach can be exhilarating, it sometimes felt like they were changing directions merely for the sake of switching things up, which made the set feel a bit scattershot in places.

Still, Motherhood’s eagerness to explore every musical nook and cranny was part of their charm. The lighting design, bathed in vibrant, shifting colors, complemented the band’s restless spirit, highlighting their dynamic interplay on stage. The crowd seemed to feed off this high-voltage atmosphere; arms flailed and feet stomped as the band barreled from one track to the next.

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