Country : Canada Label : independent Genres and styles : Alt-Pop / Alternative Rock / power-pop / Rock Year : 2025

Altered by Mom – Better

· by Stephan Boissonneault

Toronto’s Altered by Mom have been steadily building a reputation for clever, hook-driven rock songs, and with Better they deliver their most confident and fully realized release yet. The album kicks off with a rush of high-energy tracks that practically beg for a sing-along. Songs like “OK OK” and “Sucking on a Lemon” combine punchy rhythms with big, instantly memorable choruses. There’s a streak of cheeky humour running through the lyrics, but underneath it all sits a spirit of resilience and optimism. Even when they’re calling out negativity, Altered by Mom, Gina Kennedy (bass/vox) and Devon Lougheed (guitar/vox), with Max Trefler on drums, manage to spin things into something playful and affirming.

One of the band’s strengths lies in balancing a polished, pop-friendly sound with just enough grit to keep it exciting. At times, Better recalls the infectious bounce of early-2000s alt-rock, even reminding me of Paramore, but it never feels like simple nostalgia. Instead, the record leans forward, with thoughtful arrangements, gang vocals backed by some other Toronto musicians like Skye Wallace, that weave in little surprises—like flute lines or unexpected tempo shifts—keeping the songs fresh and varied.

If there’s one critique, it’s that the album’s relentless positivity can feel a touch repetitive at times, and some listeners might wish for a bit more venom in the later tracks. But that’s a small quibble in what is otherwise a sharply crafted, consistently enjoyable listen. With Better, Altered by Mom prove they’re more than just clever hooks and cheeky charm.

Latest 360 Content

Fontaines D.C. – Dopamine Chamber

Fontaines D.C. – Dopamine Chamber

Queens of the Stone Age – Perfecth

Queens of the Stone Age – Perfecth

Sophia Stel – the greatest album of all time

Sophia Stel – the greatest album of all time

The Fall – Post Script

The Fall – Post Script

Le Vivier: Judith Fliedl’s Super Ultra Violin

Le Vivier: Judith Fliedl’s Super Ultra Violin

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers