classique

Les profs de l’UdeM in Concert : Schubert’s The Trout at Salle Claude-Champagne

par Rédaction PAN M 360

Jocelyne Roy and Ariane Brisson, flutes 

André Moisan, clarinet

Guillaume Sutre, Paul Karekezi and Marie Bégin, violins

Jutta Puchhammer and Cynthia Blanchon, violas

Yegor Dyachkov, cello

Yannick Chênevert, bass

Henry Kramer and Jean Saulnier, piano 

Wilhelm Friedemann BachDuo no. 1 in E minor, F. 54 

  1. Allegro
  2. Larghetto

III. Vivace 

Franz DopplerAndante and Rondo, op. 25, for two flutes and piano 

  1. Andante
  2. Rondo

Wolfgang Amadeus MozartQuintet in A major, K. 581 

  1. Allegro
  2. Larghetto

III. Menuetto 

  1. Allegretto con variazioni

Franz SchubertQuintett in A major, op. 114, D.667, « La Truite » 

  1. Allegro vivace en la majeur
  2. Andante en fa majeur

III. Scherzo : Presto en la majeur 

  1. Tema e variazioni : Andantino – Allegretto en ré majeur
  2. Allegro giusto en la majeur

The Faculty of Music’s teaching staff is made up of a number of performers who have made a name for themselves on the Canadian and international music scenes. The “Les profs de l’UdeM en concert” series offers you the opportunity to enjoy their mastery and finesse in chamber music, free of charge. And for students aspiring to continue their studies at the Faculty of Music in performance, these inspiring concerts are privileged opportunities to see and hear their future teacher.

De nombreux interprètes rayonnant sur les scènes canadienne et internationale composent le corps enseignant de la Faculté de musique. La série Les profs de l’UdeM en concert propose des rendez-vous de haut niveau vous permettant d’apprécier gratuitement leur maestria et la finesse de leur jeu, dans des œuvres de musique de chambre. Et pour les étudiantes et étudiants qui aspirent poursuivre leurs parcours à la Faculté de musique en interprétation, ces concerts inspirants sont des occasions privilégiées de voir et d’entendre leur futur prof.

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classique

Julia Muzychenko, soprano and Helmut Deutsch, piano at Salle Claude-Champagne

par Rédaction PAN M 360

Programme

F.Mendelssohn Bartholdy

Es weiß und rät es doch keiner, (Eichendorff) op.99 no 6

Der Mond, (Geibel) op.86 no 5 

Neue Liebe, (Heine) op.19 no 4 

Pagenlied, (Eichendorff) posthum  

Schilflied, (Lenau) op.71 no 4 

Auf Flügeln des Gesanges,  (Heine) op.34 no 2 

Frühlingslied, (Lenau) op.47 no 3                                                                                                                                                         

ca. 16‘

Richard Strauss

Einerlei,  (Arnim) op.69 no 3

Ich wollt‘ ein Sträusslein binden, (Brentano) op.68 no 2

Nichts, (Gilm) op.10 no 2 

Säusle , liebe Myrthe, (Brentano) op.68 no 3

Freundliche Vision, (Bierbaum) op.48 no 1

Wie sollten wir geheim sie halten, (Schack) op.19 no 4                                                                                                                          

ca. 16‘

______________________________________________________________

P.I. Tchaikovsky

Tell me, what in the shade of the branches, op.57 no1

It was in the early spring, 38 no 2

Serenade, op.63 no 6

Whether day dawns, op47 no 6                                                                                             

ca. 13’  

N. Rimsky-Korsakov

It was not the wind blowing from the heights op.43  no2.

Captivated by the rose, the nightingale op.2 no2

The Lark sings louder op.43 no1                                                                           

 ca. 5’                   

S. Rachmaninov

Oh, never sing to me again op.4 no4

Dreams op.38 no 5

Siren’-Lilac Op.21  No5

How nice is it here op.21 no 7

Spring Water op.14 no11                                                                                   

 ca. 12’     

Artists

Soprano Julia Muzychenko is a rising star with an active operatic and concert career. She has won prizes at the Queen Elisabeth, Meistersinger von Nürnberg, Eva Marton, Tenor Viñas, Clermont-Ferrand, Montserrat Caballé, Sergei Rachmaninov and Virgilijus Noreika competitions, among others.

This year, she made her debut as Gilda in Rigoletto (Deutsche Oper Berlin) and in the title role of Le Coq d’or (Komische Oper Berlin), as well as singing Oksana in The Night Before Christmas Eve (Oper Frankfurt) and Musetta in La Bohème (Opéra national de Montpellier). In addition, she has given concerts with the Orchestre national de Belgique, a series of concerts at Berlin’s Konzerthaus with baritone Tobias Greenhalgh, and completed a tour of South Korea.

Recently, she has also sung the Swan Princess (The Tale of Tsar Saltan – Opéra national du Rhin), Violetta (La Traviata – Teatro Comunale di Bologna, Opera de Tenerife, Festival Verdi de Bussetto and Les nuits d’été de Marmande), Norina (Don Pasquale – Teatro Rovereto and Opéra national de Montpellier), Cinderella (The True Story of Cinderella – Mariinsky Theatre), Amina (La Sonnambula – Opéra Vichy, Opéra Limoges, Clermont Auvergne Opéra, Opéra d’Avignon, Opéra-Théâtre de Metz Métropole, and Opéra de Reims), as well as concerts with the Prague Orchestra at the Cartagènes Festival (Colombia), the Stuttgarter Philharmoniker at the Heidenheim Festival, and the Hungarian National Opera.

Ms. Muzychenko has been a member of the young artist programs at the Bolshoi Theater and the Houston Grand Opera, and more recently of the Junges Ensemble at the Dresden Semperoper, where she sang Musetta (La Bohème), Olympia (Les Contes d’Hoffmann), Sandmännchen/Taumännchen (Hänsel und Gretel) and Papagena (Die Zauberflöte), among others.

Helmut Deutsch is one of the world’s most refined and sought-after accompanists of opera recitals. Born in Vienna, he studied at the Conservatory, the Academy of Music and the University. He was awarded the Vienna Composition Prize in 1965, and was appointed professor at the age of twenty-four.

Although he has performed with illustrious instrumentalists as a chamber musician, he concentrates mainly on accompanying operatic recitals. Early in his career, he accompanied the soprano Irmgard Seefried, as well as Hermann Prey, with whom he was a regular partner for twelve years. Subsequently, he has worked with many illustrious performers, including Barbara Bonney, Grace Bubry, Brigitte Fassbaender, Angelika Kirchschlager, Matthias Goerne, Christoph Pregardien and Thomas Quasthoff, in the world’s greatest concert halls. His collaborations with Jonas Kaufmann, Diana Damrau and Michael Volle are currently among his most important.

Mr. Deutsch has more than a hundred recordings to his credit. In recent years, he has also dedicated himself to the development of young talent, which is particularly dear to his heart. Following his posting to Vienna, he mainly continued his teaching activities at Munich’s Hochschule für Musik und Theater, where he was Professor of Lied Interpretation for twenty-eight years.

He has also been a guest professor at several other universities, and is constantly invited to give master classes throughout Europe and the Far East. The young Swiss tenor Mauro Peter was one of his last students in Munich, and has become one of his most popular recital partners.

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Jazz

Tribute to Cole Porter at Salle Claude Champagne

par Rédaction PAN M 360

Students of the jazz singing class of Eugénie Jobin-Tremblay et de Malika Tirolien

Big Band de l’Université de Montréal

João Lenhari, conductor

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Mozart: The Magic Flute at Salle Claude-Champagne

par Rédaction PAN M 360

UdeM Opera Workshop and Orchestra

Jean-François Rivest, conductor

Richard Margison and Robin Wheeler, direction Atelier d’opéra

Patrick R. Lacharité, stage direction

Margaux Tabary, costumes

Marie-Aube St-Amant Duplessis, lighting

Gabriela Hébert, images and projections

Natacha Filiatrault, hair and make-up

Roxane Loumède, assistant director and stage manager

Carl Pelletier, set design and props

Mozart, The Magic Flute

A prince charged with freeing a princess imprisoned by a false tyrant; an evil queen of unsettling beauty; a jester bird-catcher with a big heart and a magic flute to vanquish evil: this is neither a fairy tale by Perrault nor a legend by the Brothers Grimm, but one of the most fascinating operas in the history of music, Mozart’s The Magic Flute.

Blending enchantment, esotericism and comical situations, this work was considered a marvel in Germany from the moment of its premiere in 1791. And what about Mozart’s incredible music? The best way to discover it is in the company of the Atelier d’Opéra and the Orchestre de l’UdeM, conducted by Jean-François Rivest and directed by Patrick R. Lacharité.

As for the fantastical nature of the opera, it will allow students∙es in composition and sound creation to give free rein to their imagination to create an original scenography designed using video mapping and light installations.

Sarastro, High Priest of Isis and Osiris – Brendan Friesen, bass

Die Königen der Nacht – Marion Germain, soprano

Pamina, daughter of the Queen of the Night – Maud Lewden, soprano

Erste Dame – Daphnée Brideau, soprano

Zweite Dame – Maïlys Arbaoui-Westphal, soprano

Dritte Dame – Julie Boutrais, mezzo-soprano

Erster Knabe – Salomé Karam, soprano

Zweiter Knabe – Cloée Morissette, soprano

Dritter Knabe – Serina Itri, mezzo-soprano

Prince Tamino – Emmanuel Raymond, tenor

Der Sprecher – Jean-Philippe Laroche, bass

Papageno, bird-catcher – Justin Domenicone, baritone

Papagena, Papageno’s bride – Kevisha Williams, soprano

Monostatos – Andoni Iturriria-Machinandiarena, tenor

Erster Geharnischter Mann – Pierre Heault, tenor

Zweiter Geharnischter Mann – Théo Raffin, baritone

Erster Priester – Pierre Heault, tenor

Zweiter Priester – Geoffrey Zhou, spoken role

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This content comes from the Faculté de musique de l’Université de Montréal and is adapted by PAN M 360.

Piano

Master’s Degree Piano Recital at Salle Claude-Champagne

par Rédaction PAN M 360

Interpretation: Alice Giguère, piano

FREE ADMISSION

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Piano

Master’s Degree Piano Recital at Salle Claude-Champagne

par Rédaction PAN M 360

Interpretation : Gustave Fraser-Barnwell, piano

FREE ADMISSION

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classique

Master’s Degree Voice Recital at Salle Claude-Champagne

par Rédaction PAN M 360

Interpretation: Marion Germain, soprano

Élève de Richard Margison
Antoine Rivard-Landry, piano

 

Henry Purcell (1659-1695)
When I am laid in earth

Exerpts from the opera Dido and Aeneas

Robert Schumann (1810-1856)
Liederkreis, op. 39

  1. In der Fremde
  2. Intermezzo

III. Waldesgespräch

  1. Die Stille
  2. Mondnacht
  3. Schöne Fremde

VII. Auf einer Burg

VIII. In der Fremde

  1. Wehmut
  2. Zwielicht
  3. Im Walde

XII. Frühlingsnacht

Pause

Claude Debussy (1862-1918)
Trois poèmes de Stéphane Mallarmé

  1. Soupir
  2. Placet futile

III. Éventail

Giuseppe Verdi (1813-1901)
Come in quest’ora bruna

Exerpts from the opera Simon Boccanegra

Richard Strauss (1864-1949)
4 lieder, op. 27

  1. Ruhe, meine Seele
  2. Cäcilie

III. Heimliche Aufforderung

  1. Morgen!

Wolfgang Amadeus Mozart (1756-1791)
O zittre nicht, mein lieber Sohn

Exerpts from the opera Die Zauberflöte

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classique

Doctoral Viola Recital at Salle Claude-Champagne

par Rédaction PAN M 360

Interpretation : Emmanuelle Lambert-Lemoine, viola.

FREE ADMISSION

This content comes from the Faculté de musique de l’Université de Montréal and is adapted by PAN M 360.

classique

Master’s Degree Voice Recital Salle Claude-Champagne

par Rédaction PAN M 360

Interpretation : Cécile Muhire, voice.

FREE ADMISSION

This content comes from the Faculté de musique de l’Université de Montréal and is adapted by PAN M 360.

classique / Contemporary / Neoclassical

Étoile Montante 2024 Concert at Salle Claude-Champagne

par Rédaction PAN M 360

Orchestre de l’UdeM 

Orchestra conducting students : Lori Antounian et Marie-France Mathieu 

Programme 

Edwin H. Ng, Of breath, movement and boxing (premier)
Doctor of Music student (composition and sound design), winner of the OUM Composition Competition 2023

BeethovenPiano concerto no. 4

Intermission

Luis Ernesto Peña LagunaSAR (premier)
Edwin H. Ng, Of breath, movement and boxing (premier)
Doctor of Music student (composition and sound design), winner of the OUM Composition Competition 2023

Denis GougeonConversations pour flûte et orchestre

2nd prize in the OUM 2023 concerto competition

Whether they are composers, conductors, soloists or instrumentalists with the OUM, students from the Faculty of Music will be in the spotlight during this Rising Stars evening! Discover previously unpublished works by the winners of the OUM 2023 Composition Competition, testifying to the creative vitality of the Faculty. Pianist Fiona Wu will be in the spotlight with Beethoven’s Fourth Concerto, a masterpiece of piano literature in which the soloist opens the dialogue. The flute takes center stage in Gougeon’s Conversations for flute and orchestra, in which Catherine Chabot brings out the full expressive and technical potential of the solo instrument.

Qu’ils exercent leur talent en composition, en direction d’orchestre, comme solistes ou instrumentistes au sein l’OUM, les étudiants et les étudiantes de la Faculté de musique seront sous les feux de la rampe lors de cette soirée Étoiles montantes! Découvrez des œuvres inédites des lauréats du Concours de composition de l’OUM 2023, témoignant de la vitalité créatrice de la Faculté. La pianiste Fiona Wu sera à l’honneur avec le Quatrième concerto de Beethoven, chef-d’œuvre de la littérature pianistique lors duquel le soliste ouvre le dialogue. La part belle sera donnée à la flûte dans l’œuvre de Gougeon, Conversations pour flûte et orchestre, qui permettra à Catherine Chabot de mettre en valeur tout le potentiel expressif et technique de l’instrument soliste.

FREE ADMISSION

Ce contenu provient de la Faculté de musique de l’Université de Montréal et est adapté par PAN M 360.

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Jeanne Frenette’s Piano Recital at Salle Claude-Champagne

par Rédaction PAN M 360

Interpretation : Jeanne Frenette, piano.

Programme du concert/Concert program

Maurice Ravel (1875-1937)
Miroirs 

  1. Noctuelles
  2. Oiseaux tristes

III. Une barque sur l’océan 

  1. Alborada del gracioso
  2. La vallée des cloches

Break

Ludwig van Beethoven (1770-1827)
Sonate pour piano no 14 en do dièse mineur, « Clair de lune » 

  1. Adagio sostenuto
  2. Allegretto

III. Presto agitato 

George Gershwin (1898-1937)
Rhapsody in Blue (version pour piano solo) 

THIS CONCERT IS FREE

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classique

Atelier de Gamelan and Giri Kedaton in Concert

par Rédaction PAN M 360

Concert by student members of the Atelier de gamelan, accompanied by Giri Kedaton, organization in residence at the Université de Montréal’s Faculty of Music.

Concert des étudiantes et étudiants membre de l’Atelier de gamelan, en compagnie de Giri Kedaton, organisme en résidence à la Faculté de musique de l’Université de Montréal.

THIS CONCERT IS FREE

This content comes from UdeM and is adapted by PAN M 360.

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