Maud Lewden, voice
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classique
Salle Claude-Champagne
classique / Contemporary
The Nouvel Ensemble Moderne at Salle Claude-Champagne
To close its 35th season, the NEM invites you to celebrate in style with four specially commissioned works.
Complicity, pleasure and intensity are the order of the day.
Pour clore sa 35e saison, le NEM vous invite à célébrer en grand avec quatre œuvres commandées pour cette occasion.
Complicité, plaisir et intensité se donnent rendez-vous.
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This content comes from the Nouvel Ensemble Moderne and is adapted by PAN M 360
Baroque
Atelier de musique baroque de l’UdeM in Concert at the Salle Claude-Champagne
Atelier de musique baroque
Mathieu Lussier, direction
Johann Sebastian Bach
Sonata for violin and harpsichord in A major (BWV 1015)
- (Dolce)
- Allegro
- Andante un poco
- Presto
Maria Mondiru, violin
Joey Désaulniers, harpsichord
Johann Sebastian Bach (1685-1750)
Sonata for violin and harpsichord in B minor (BWV 1014)
- Adagio
- Allegro
- Andante
- Allegro
Luke Chiang, violin
Karl-Frédéric Bolte, harpsichord
Michel Pignolet de Montéclair (1667-1737)
Le Dépit généreux (Paris, 1706)
- Air ” Dieux justes! “
- Air ” Arbres épais, sombre feuillage! “
- Recitative ” Chérirai-je toujours une fatale flame? “
- Air ” Douce tranquillité, paisible indifférence “
- Recitative ” Mais ciel, quel changement! “
- Air ” Je sens finir mes peines “
Ariane Duclos, soprano
Maria Mondiru, violin
Joey Désaulniers, harpsichord
Georg Friedrich Handel (1685-1759)
Tornami a vagheggiar (Alcina, HWV 34)
Estefania Carrillo, soprano
Aleksa Jakovljevic, harpsichord
Henri Dumont (1610-1684)
Benedicam Dominum (Paris, 1668)
Cloée Morisette, soprano
Ariane Duclos, soprano
Thomas Sutton, violin
Adrian Ross, harpsichord
Barbara Strozzi (1619-1677)
Tra le speranze e’l timore (Op. 2, Venice, 1651)
Olivia Furgiuele, soprano
Joey Désaulniers, harpsichord
Nicolas Bernier (1664-1734)
O Amor, o Gaudium, o Pretiosum (Paris, 1713)
- Air “O Amor
- Recitative “In hoc sacro convivio
- Air “Vere dignum vere justum
- Recitative “Adoro te ergo o piissime Jesu
- Air “Exultemus jubilantes
- Alleluya
Ariane Duclos, soprano
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classique
The Ultrasons Series at the Salle Claude-Champagne
Experimental evenings to discover the best in digital creation at the Faculty of Music!
Presented in December and April, the Ultrasound series is devoted to acousmatic and visual music, digital art, performance and algorithms. Under a dome of loudspeakers and in an immersive environment, you’ll be immersed in the fascinating worlds of students from the Faculty’s various composition and sound creation programs.
A real springboard, the Ultrasound evenings are the ideal opportunity to let yourself be surprised and to applaud the original creations of the next generation of multimedia artists.
Des soirées expérimentales pour découvrir ce qui se fait de mieux en création numérique à la Faculté de musique!
Présentées en décembre et en avril, les séries Ultrasons sont consacrées aux musiques acousmatiques et visuelles, à l’art numérique, aux performances et à l’algorithmie. Sous un dôme de haut-parleurs et dans un environnement immersif, vous serez plongé dans les univers fascinants des étudiantes et étudiants issus des différents programmes de composition et création sonore offerts à la Faculté.
Véritable tremplin, les soirées Ultrasons sont des occasions idéales pour se laisser surprendre et pour applaudir les créations originales de la relève en multimédia.
Programme
Installations open at 18:45
B-325 – Gabriel Geneau
Part of The Ocean
B-187 – Zachary Hardy
|MONOLITHE|À|L’OBSOLESCENCE|
B-195 – Jean-Sébastien Schnubb
Color phi
B-184 – Vivian Li
Suikinkutsu
Concert at the Salle Claude-Champagne – 19:30
Graham conor Hudson-Jameson
–À voire– (performance)
Mikaël Molliex
Premiers mots (acousmatic)
Mahault Sampy
Études (acousmatic)
David Piazza
Programa 1 (performance)
Loic Minty
Sac Cocotte (performance)
Pause
Des Cendres Rivière
Sans Titre (performance in the foyer)
Alexandre Sasset-Blouin
Permutations (performance)
Florence Lafontaine
Fibres (performance)
Daniel Trudel-Ramos
Infierno (acousmatic)
Laurent Pellerin
Huis clos (acousmatic)
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musique contemporaine
Atelier de musique contemporaine de l’UdeM in Concert at the Salle Claude-Champagne
Under the direction of Jean-Michaël Lavoie
Sous la direction de Jean-Michaël Lavoie
Alexandre Amat
Tracé, Fossile
Paul Ballesta, violin
Tobias Kimmelman, cello
Edwin NG
Memories from a trip to Schafberg
I. Forest Sound
II. Strenuous Hike
III. Cow Bells
Vincent Bellemare, violin
Noah Larocque, horn
Elisa Lanchon, piano
Amichai Ben Shalev
La danse de l’incertitude
Jorik Brouwer, oboe
Alexandre Galouchko, piano
Benjamin Pastrana Mankowitz, bass
Ruby Jin Clark-Webber
Fantaisie pour Trio Augmenté
Hailey Coates, flute
Emmanuel madsen, cello
Christina Diotto, piano
Ruby Jin Clark-Webber, electroacoustic tape and live spectral effects
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Electroacoustic
UdeM’s Digital Music Composition Workshop in Concert Concert at the Salle Claude-Champagne
An evening celebrating students in their 1st year of study in digital music! Discover their creations, broadcast in an amphitheatre equipped with fifteen loudspeakers, under the direction of their teachers.
Une soirée qui met à l’honneur les étudiantes et étudiants en 1re année d’étude en musiques numériques! Découvrez leurs créations, diffusées dans un amphithéâtre doté d’une quinzaine de haut-parleurs, sous la direction de leurs enseignantes et enseignants.
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classique
Les profs de l’UdeM in Concert : Schubert’s The Trout at Salle Claude-Champagne
Jocelyne Roy and Ariane Brisson, flutes
André Moisan, clarinet
Guillaume Sutre, Paul Karekezi and Marie Bégin, violins
Jutta Puchhammer and Cynthia Blanchon, violas
Yegor Dyachkov, cello
Yannick Chênevert, bass
Henry Kramer and Jean Saulnier, piano
Wilhelm Friedemann Bach, Duo no. 1 in E minor, F. 54
- Allegro
- Larghetto
III. Vivace
Franz Doppler, Andante and Rondo, op. 25, for two flutes and piano
- Andante
- Rondo
Wolfgang Amadeus Mozart, Quintet in A major, K. 581
- Allegro
- Larghetto
III. Menuetto
- Allegretto con variazioni
Franz Schubert, Quintett in A major, op. 114, D.667, « La Truite »
- Allegro vivace en la majeur
- Andante en fa majeur
III. Scherzo : Presto en la majeur
- Tema e variazioni : Andantino – Allegretto en ré majeur
- Allegro giusto en la majeur
The Faculty of Music’s teaching staff is made up of a number of performers who have made a name for themselves on the Canadian and international music scenes. The “Les profs de l’UdeM en concert” series offers you the opportunity to enjoy their mastery and finesse in chamber music, free of charge. And for students aspiring to continue their studies at the Faculty of Music in performance, these inspiring concerts are privileged opportunities to see and hear their future teacher.
De nombreux interprètes rayonnant sur les scènes canadienne et internationale composent le corps enseignant de la Faculté de musique. La série Les profs de l’UdeM en concert propose des rendez-vous de haut niveau vous permettant d’apprécier gratuitement leur maestria et la finesse de leur jeu, dans des œuvres de musique de chambre. Et pour les étudiantes et étudiants qui aspirent poursuivre leurs parcours à la Faculté de musique en interprétation, ces concerts inspirants sont des occasions privilégiées de voir et d’entendre leur futur prof.
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classique
Julia Muzychenko, soprano and Helmut Deutsch, piano at Salle Claude-Champagne
Programme
F.Mendelssohn Bartholdy
Es weiß und rät es doch keiner, (Eichendorff) op.99 no 6
Der Mond, (Geibel) op.86 no 5
Neue Liebe, (Heine) op.19 no 4
Pagenlied, (Eichendorff) posthum
Schilflied, (Lenau) op.71 no 4
Auf Flügeln des Gesanges, (Heine) op.34 no 2
Frühlingslied, (Lenau) op.47 no 3
ca. 16‘
Richard Strauss
Einerlei, (Arnim) op.69 no 3
Ich wollt‘ ein Sträusslein binden, (Brentano) op.68 no 2
Nichts, (Gilm) op.10 no 2
Säusle , liebe Myrthe, (Brentano) op.68 no 3
Freundliche Vision, (Bierbaum) op.48 no 1
Wie sollten wir geheim sie halten, (Schack) op.19 no 4
ca. 16‘
______________________________________________________________
P.I. Tchaikovsky
Tell me, what in the shade of the branches, op.57 no1
It was in the early spring, 38 no 2
Serenade, op.63 no 6
Whether day dawns, op47 no 6
ca. 13’
N. Rimsky-Korsakov
It was not the wind blowing from the heights op.43 no2.
Captivated by the rose, the nightingale op.2 no2
The Lark sings louder op.43 no1
ca. 5’
S. Rachmaninov
Oh, never sing to me again op.4 no4
Dreams op.38 no 5
Siren’-Lilac Op.21 No5
How nice is it here op.21 no 7
Spring Water op.14 no11
ca. 12’
Artists
Soprano Julia Muzychenko is a rising star with an active operatic and concert career. She has won prizes at the Queen Elisabeth, Meistersinger von Nürnberg, Eva Marton, Tenor Viñas, Clermont-Ferrand, Montserrat Caballé, Sergei Rachmaninov and Virgilijus Noreika competitions, among others.
This year, she made her debut as Gilda in Rigoletto (Deutsche Oper Berlin) and in the title role of Le Coq d’or (Komische Oper Berlin), as well as singing Oksana in The Night Before Christmas Eve (Oper Frankfurt) and Musetta in La Bohème (Opéra national de Montpellier). In addition, she has given concerts with the Orchestre national de Belgique, a series of concerts at Berlin’s Konzerthaus with baritone Tobias Greenhalgh, and completed a tour of South Korea.
Recently, she has also sung the Swan Princess (The Tale of Tsar Saltan – Opéra national du Rhin), Violetta (La Traviata – Teatro Comunale di Bologna, Opera de Tenerife, Festival Verdi de Bussetto and Les nuits d’été de Marmande), Norina (Don Pasquale – Teatro Rovereto and Opéra national de Montpellier), Cinderella (The True Story of Cinderella – Mariinsky Theatre), Amina (La Sonnambula – Opéra Vichy, Opéra Limoges, Clermont Auvergne Opéra, Opéra d’Avignon, Opéra-Théâtre de Metz Métropole, and Opéra de Reims), as well as concerts with the Prague Orchestra at the Cartagènes Festival (Colombia), the Stuttgarter Philharmoniker at the Heidenheim Festival, and the Hungarian National Opera.
Ms. Muzychenko has been a member of the young artist programs at the Bolshoi Theater and the Houston Grand Opera, and more recently of the Junges Ensemble at the Dresden Semperoper, where she sang Musetta (La Bohème), Olympia (Les Contes d’Hoffmann), Sandmännchen/Taumännchen (Hänsel und Gretel) and Papagena (Die Zauberflöte), among others.
Helmut Deutsch is one of the world’s most refined and sought-after accompanists of opera recitals. Born in Vienna, he studied at the Conservatory, the Academy of Music and the University. He was awarded the Vienna Composition Prize in 1965, and was appointed professor at the age of twenty-four.
Although he has performed with illustrious instrumentalists as a chamber musician, he concentrates mainly on accompanying operatic recitals. Early in his career, he accompanied the soprano Irmgard Seefried, as well as Hermann Prey, with whom he was a regular partner for twelve years. Subsequently, he has worked with many illustrious performers, including Barbara Bonney, Grace Bubry, Brigitte Fassbaender, Angelika Kirchschlager, Matthias Goerne, Christoph Pregardien and Thomas Quasthoff, in the world’s greatest concert halls. His collaborations with Jonas Kaufmann, Diana Damrau and Michael Volle are currently among his most important.
Mr. Deutsch has more than a hundred recordings to his credit. In recent years, he has also dedicated himself to the development of young talent, which is particularly dear to his heart. Following his posting to Vienna, he mainly continued his teaching activities at Munich’s Hochschule für Musik und Theater, where he was Professor of Lied Interpretation for twenty-eight years.
He has also been a guest professor at several other universities, and is constantly invited to give master classes throughout Europe and the Far East. The young Swiss tenor Mauro Peter was one of his last students in Munich, and has become one of his most popular recital partners.
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Jazz
Tribute to Cole Porter at Salle Claude Champagne
Students of the jazz singing class of Eugénie Jobin-Tremblay et de Malika Tirolien
Big Band de l’Université de Montréal
João Lenhari, conductor
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classique
Mozart: The Magic Flute at Salle Claude-Champagne
UdeM Opera Workshop and Orchestra
Jean-François Rivest, conductor
Richard Margison and Robin Wheeler, direction Atelier d’opéra
Patrick R. Lacharité, stage direction
Margaux Tabary, costumes
Marie-Aube St-Amant Duplessis, lighting
Gabriela Hébert, images and projections
Natacha Filiatrault, hair and make-up
Roxane Loumède, assistant director and stage manager
Carl Pelletier, set design and props
Mozart, The Magic Flute
A prince charged with freeing a princess imprisoned by a false tyrant; an evil queen of unsettling beauty; a jester bird-catcher with a big heart and a magic flute to vanquish evil: this is neither a fairy tale by Perrault nor a legend by the Brothers Grimm, but one of the most fascinating operas in the history of music, Mozart’s The Magic Flute.
Blending enchantment, esotericism and comical situations, this work was considered a marvel in Germany from the moment of its premiere in 1791. And what about Mozart’s incredible music? The best way to discover it is in the company of the Atelier d’Opéra and the Orchestre de l’UdeM, conducted by Jean-François Rivest and directed by Patrick R. Lacharité.
As for the fantastical nature of the opera, it will allow students∙es in composition and sound creation to give free rein to their imagination to create an original scenography designed using video mapping and light installations.
Sarastro, High Priest of Isis and Osiris – Brendan Friesen, bass
Die Königen der Nacht – Marion Germain, soprano
Pamina, daughter of the Queen of the Night – Maud Lewden, soprano
Erste Dame – Daphnée Brideau, soprano
Zweite Dame – Maïlys Arbaoui-Westphal, soprano
Dritte Dame – Julie Boutrais, mezzo-soprano
Erster Knabe – Salomé Karam, soprano
Zweiter Knabe – Cloée Morissette, soprano
Dritter Knabe – Serina Itri, mezzo-soprano
Prince Tamino – Emmanuel Raymond, tenor
Der Sprecher – Jean-Philippe Laroche, bass
Papageno, bird-catcher – Justin Domenicone, baritone
Papagena, Papageno’s bride – Kevisha Williams, soprano
Monostatos – Andoni Iturriria-Machinandiarena, tenor
Erster Geharnischter Mann – Pierre Heault, tenor
Zweiter Geharnischter Mann – Théo Raffin, baritone
Erster Priester – Pierre Heault, tenor
Zweiter Priester – Geoffrey Zhou, spoken role
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Piano
Master’s Degree Piano Recital at Salle Claude-Champagne
Interpretation: Alice Giguère, piano
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Piano
Master’s Degree Piano Recital at Salle Claude-Champagne
Interpretation : Gustave Fraser-Barnwell, piano
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