On Tuesday evening, February 24, 2026, the launch concert for the album I Wish I Were Dead by Duo Étrange was held at Montreal’s Bourgie Hall. I will not revisit the individual pieces, which I have already discussed extensively in my album review, nor the circumstances surrounding the creation of this record, which are thoroughly covered in theinterview I conducted with the two artists, soprano Vanessa Croome and cellist Sahara von Hattenberger.

READ THE REVIEW OF THE ALBUM I WISH I WERE DEAD

WATCH THE INTERVIEW WITH THE STRANGE DUO

Striking performance by Vanessa Croome

I will focus my attention on the performance of the two young artists. The entire audience present noticed, I don’t think I’m mistaken in stating this, the very high quality of Vanessa Croome’s voice. A fluid, ethereal soprano but with vigour, agile and pleasantly brilliant in high notes, capable of convincing descents into mezzo areas.

But what probably impressed the music lovers present the most was the young artist’s excellent expressive performance. A remarkable ease in evoking states of mind, and an undeniable authenticity of the emotions accompanying the texts and musical lines, which are also very well mastered.

I immediately imagined her on stage, at the opera. Something she has done a few times, but not that much yet. Attention to the artistic directors of the country (and mainly of Quebec). Take notice! We’d like to keep her with us for as long as possible!!.

Sahara, a cellist to remember… and some duduk

On the cello side, Sahara von Hattenberger demonstrates a lot of character, impeccable technique, and strong emotional immersion, without any affected embellishment. A superb performer, whom we hope to keep in Montreal for a long time. Know that she now partially lives in New York due to her participation in the Chamber Orchestra of New York. I am calling out, again, to all artistic and general directors of instrumental ensembles in Montreal and beyond: recruit this dynamic voice of the cello before it’s too late!

Regarding the programming, we heard the same list as on the album, with the very beautiful pieces “Dans un sentier tout parfumé” and “Danger, peur, honte” by Fong Jeffrey. Inspired by texts from mediaeval France, they took on even more alluring forms in person, carried by the presence of Vanessa Croome.

I once again savoured the partially exotic Tree of Life by Maya Fridman, with its labyrinthine yet enchanting convolutions. And then, I indulged, just like when listening to the album, in the Quatrains of Wisdom by Airat Ichmouratov. The composer was on stage to accompany the artists with his clarinet and, above all, his fabulous duduk.

Another hit by Nicole Lizée

Nicole Lizée has once again hit the mark with her Urbexcelsis (a joint commission with Bourgie Hall), in which a partially live electronic track accompanies the two artists, who add to their “normal” task the manipulation of rudimentary percussion instruments, such as a piece of pipe, a chain in a metal bucket, and a power drill! I would recommend revising the drill’s score because it was hardly heard, often not at all. Nevertheless, the atmosphere of the abandoned and ruined cyberpunk city was fascinating and very well done.

The premise of Duo Étrange’s album concept is to say that contemporary music creations deserve to be heard more than once. Let’s hope their commissions will. But one thing is certain : we want to hear this duo very often again. And we will! Look down for upcoming concerts : 

Sahara von Hattenberger

April 22nd, 2026

RECITAL W/ DAVID BRONGO: A NIGHT OF CELLO AND PERCUSSION

At the museum of Architecture in Montreal, QC. Part of the series previously held at the beloved Chapelle Historique du Bon-Pasteur.

Featuring Works primarily for cello and timpani by Perruchon, and more.

Duo Étrange

April 30th, 2026

Duo Etrange presents Ligeti’s Mysteries of the Macabre arr. for cello and percussionist soprano at Espace bleu in Montreal, QC.